Saturday, October 22, 2016
Martha Gelhorn, Leonard Bernstein, and the Ballerinas
Another visitor was Leonard Bernstein, who turned up unannounced one day in Cuernavaca, proposing to move in and stay with her, and bringing with him a grand piano.....Martha moved him smartly into a house up the road, with a large pool, in easy walking distance. He wanted to play Scrabble, which she resisted, hating all games except for gin rummy, but one night, after he had been told by local musicians he met that marijuana made the music flow faster, they got ahold of four joints and prepared to experiment.
Since they were both terrified of what might happen, they decided to boost their courage by having a few martinis first, generously poured into water tumblers. After a while, beginning to feel ill, Martha crawled toward the spare bedroom. As she reached the bed, she heard Bernstein fall heavily in the sitting room and lie still. She was sick all night; when she fell asleep, her nightmares were appalling. Next morning, she crept home, leaving Bernstein still unconscious on the sitting room floor.
Too bad about the martinis.
Nicole Kidman, who played Gelhorn in the film, recently appeared in a biopic of Tokin' Woman Gertrude Bell but it hasn't been released, except in Germany. As Gellman she had some strong scenes, but in others was a basket case who need Hem to help her out. It was co-written by a woman and a man, I think I know which scenes were written by whom.
The Circus: And Other Essays and Fugitive Pieces, states, "When Dowson took hashish during his student days, Mr. Arthur Symons tells us, it was before a large and festive company of friends.” He is speaking of poet Ernest Dowson, whose famous turns of phrase include “the days of wine and roses” and “gone with the wind.” Margaret Mitchell, touched by the "far away, faintly sad sound I wanted" of the line, chose it as the title of her epic Civil War novel.
Symons, a Baudelaire scholar who reportedly had a psychotic breakdown in 1909, wrote a seminal piece on hashish in the New Yorker in 1918. Symons was an influence on Yeats and a member, along with Dowson and Yeats, of the bohemian Rhymers' Club, whose members reportedly used hashish.
The book Arthur Symons by John M. Munro says, “The years between the publication of Days and Nights (1889) and London Nights (1895) may properly be referred to as Symons’ Decadent period…..he experimented, cautiously, with hashish…. The footnote reads: “On one occasion, John Addington Symonds, Ernest Dowson, and some of Symons’ lady friends from the ballet all tried hashish during an afternoon tea given by Symons in his rooms at Fountain Court:
No word about the effect on the ballerinas, except perhaps for their laughter.
Kilmer writes in his essay, "There are, and there have always been since sin first came into the world, genuine decadents. That is, there have been writers who have devoted all their energies and talents to the cause of evil, who have consistently and sincerely opposed Christian morality, and zealously endeavored to make the worst appear the better cause. But every poet who lays a lyric wreath at a heathen shrine, who sings the delights of immorality, or hashish, or suicide, or mayhem, is not a decadent : often he is merely weak-minded. The true decadent, to paraphrase a famous saying, wears his vices lightly, like a flower. He really succeeds in making vice seem picturesque and amusing and even attractive."