Vivian Cash Harassed Over Race After Johnny's Drug Arrest

Vivian Liberto was born and raised in San Antonio, Texas, where she and her siblings grew up in Sicilian-American Catholic culture and attended white schools in the segregated state. At age 17 the young beauty met 18-year-old Johnny Cash while he was stationed in San Antonio as an Air Force radio operator. Johnny was soon sent to Germany, where the young soldier began a long and loving correspondence with Vivian. 

The couple married in 1954 and had four daughters. Cash's signature song "I Walk the Line" was inspired by the rhythm of the Morse-code messages from the Germans and the Soviets his job was to intercept, and his intention to stay true to Vivian once he became a touring musician. 

In 1965 Johnny Cash was arrested in Texas for bringing amphetamine pills into the United States across the Mexican border, and Vivian flew to El Paso for his court hearing. A widely circulated photograph of them leaving the courthouse in which Vivian appeared to be Black brought her to public notice. 

The Thunderbolt, a newsletter published in Alabama by Ku Klux Klan (KKK) leader J.B. Stoner and distributed by the White supremacist National States' Rights Party, ran an inflammatory article titled, "Arrest Exposes Johnny Cash's Negro Wife." The paper warned, "Money from the sale of (Cash's) records goes to scum like Johnny Cash to keep them supplied with dope and negro women." 

Emile Bernard's "Fumeuse de Haschisch"

Émile Bernard. Fumeuse de Haschisch, 1900

French post-impressionist painter and writer Emile Bernard (1868-1941) was part of the Cloisonnism and Synthetism movements, and had artistic friendships with Paul Gaugin, Paul Cézanne, and in particular, Vincent Van Gogh. Bernard's literary work comprised plays, poetry, and art criticism as well as first-hand art historical information on the period of modern art to which he contributed. He was a great admirer of the poems of Baudelaire. 

After the death of Van Gogh, Bernard became despondent and moved to Egypt in 1893, where he would remain for eight years. He returned to Paris on the heels of successful showings of the paintings he completed there, including Fumeuse de Haschisch (1900), depicting a female hashish smoker. 

According to the article "Fumeuse de Haschisch: Emile Bernard in Egypt" by Paige A. Conley, "The power of this simple composition lies within its evocative and ambiguous elements: the androgynous qualities of Bernard's female subject and her direct gaze that solemnly invites the viewer to engage with her sizable nose ring and her narghile, a pipe designed for the consumption of hashish or other disorienting substances."  The article questions "whether the gender-ambiguous subject and the strong association of the Fumeuse with hashish were deliberate artistic references to two distinct cultural trends found within France at the end of the nineteenth century: a fascination with androgyny and the idea of extase or creative ecstasy." 

On Pentecost: Why Was the Holy Ghost Ghosted?

Stained Glass in the Basilica of Vysehrad in Prague, Czech Republic,
depicting the Descent of the Holy Spirit as a Dove over Mary and the Disciples.

Today is the feast of the Pentecost, marking 50 days since Easter and the resurrection of Jesus in Christian doctrine. Based on a Jewish harvest festival, it's the day when Jesus's disciples were imbued with the spirit of their faith's evangelism. "The three most important Solemnities on the Church’s calendar (and the three most important mysteries in her life) are Easter, Christmas and Pentecost," says the National Catholic Register (giving the Church a feminine pronoun, although its gods are all male).

On the Pentecost, it is written in the Bible (Acts 2), that Jesus's apostles were all gathered together to pray, along with "the women" and Mary, the mother of Jesus. Suddenly, there came "a mighty rushing wind," a common symbol for the Holy Spirit—the third godly member of the divine trinity of Christianity, along with the God the Father and the Son (Jesus).

Brittney Griner's "Coming Home"

WNBA star Brittney Griner has released a book, "Coming Home," about her ordeal of imprisonment in Russia after being caught with two cannabis vape pens while entering the country in February 2022. 

The book, co-written by celebrity biographer Michelle Burford, starts with a description of Griner hastily packing to travel to Russia, where she played basketball for seven years, earning much more than she did in the US and—as revealed in the book and her interviews about it—being treated like a star. In her haste to pack her luggage, Griner neglected to remove two nearly empty vape pens containing cannabis, for which she had a doctor's recommendation in Arizona. 

As she tells it, at the airport, a screener gestured to her to unzip her bags. She writes.

"I'd worked my way through the backpack when I opened one last zip. I slid in my hand and felt something inside. The agent stared as I slowly lifted out a cartridge with cannabis oil. Fuck. I'm a licensed cannabis user in the United States, with a medical marijuana card issued by my doctor. He prescribed [sic] cannabis years ago, to help me cope with my debilitating sports injuries. In Arizona cannabis is legal. In Russia it's forbidden. I knew that. Honest to God, I just totally forgot the pen was in my bag. The moment I felt it in that pocket, my stomach sank." 

Griner doesn't write about her use of cannabis or how it helps her, but she does give some insight into how she was treated as an "addict" in Russia, where she was sent to be interviewed by a psychiatrist, who asked her, "When did your drug problem begin?" The book continues:

Was Charles Manson Part of a CIA MK-ULTRA Experiment with LSD?

I've wondered of late if the bizarre Charles Manson murders were somehow encouraged or orchestrated by forces—perhaps in the US government—aimed at discrediting the peaceful hippie movement and the drugs it favored, such as LSD. 

The gruesome Tate-LaBianca murders on August 9&10, 1969 are often cited as the death knell of the 60s, and this point is made in the 2018 documentary by Jakob Dylan, "Echo in the Canyon," which celebrates the musical culture of Laurel Canyon near Los Angeles, and also documents the grave effect the murders had on the scene there. 

A little Googling on the topic lead me to the 2019 book, CHAOS: Charles Manson, the CIA, and the Secret History of the Sixties by investigative journalist Tom O'Neill. While it doesn't provide a direct link between Manson and the CIA, there's a great preponderance of evidence to connect, in horrifying way, the CIA's secretive MK-ULTRA program, which may have recruited Manson while he was serving time in federal prisons. 

The book takes the reader on a journey through 20 years of O'Neill's research and hundreds of interviews with movie industry players, police, surviving Manson Family members, relatives of their murder victims, and others, including LA DA Vince Bugliosi, who made his name prosecuting the murders, followed by writing the bestselling book Helter Skelter about them. 

O'Neill begins the book poking huge holes in the official record and prosecutorial procedure around the Manson family. Chaos details how a huge raid by the LA County Sheriff's office on the Manson family ranch in the weeks following the Tate-LaBianca murders lead to no arrests, despite stolen property and guns being found. Manson was also freed later that August after being caught with a stash of marijuana joints while in bed with an underage, 17-year-old girl, despite being on federal parole. O'Neill began to wonder if Manson was somehow being used as an informant by police, and thus kept getting a "Get Out of Jail Free" card. 

Elke Sommer and Sharon Tate in The Wrecking Crew

The author interviewed friends of Sharon Tate, including actress Elke Sommer, who appeared with Tate in her last movie, The Wrecking Crew. Sommer said Roman Polanski was a controlling, abusive husband. A tape of Tate having sex with other men staged by Polanski, who forced her to do it, was found in their home after the murders, but dismissed as evidence by Bugliosi. At the time of the murders, Polanski—who is now living in exile from the US after being prosecuted in 1977 for drugging and raping a 13-year-old girl—was working in London, reportedly having affairs, and leaving his pregnant wife in their California house with cast of characters including drug dealers who cornered the market on MDA along with Wojciech Frykowski, one of the murder victims. 

O'Neill interviewed some of these characters and their associates, who bragged of connections to US intelligence that the author was able to confirm. Several times, they threatened to kill him in violent ways if he pursued his research, and they said Bugliosi was fearful of them, which is why he changed their names in Helter Skelter. Two of these men were in Jamaica at the time of the murders, giving them an alibi but leaving open the possibility that they could have enlisted Manson to commit them. 

Soon, O'Neill's research pressed him to "broader connections and social implications" of politics in California. In Chapter 7, "Neutralizing the Left," O'Neill delves into efforts to defuse the Black Panther Party and how Manson might have connected with those efforts. He focused on "two secret intelligence operations that were under way in Los Angeles in 1969: the FBI's COINTELPRO and the CIA's CHAOS. Their primary objective, according to three congressional committees that investigated them in the mid-seventies, was to discredit the left-wing movement by any means necessary—an aim that, coincidentally or not, described the effect of the Manson murders."   

100 Years of Surrealism, A Movement Inspired by Cannabis?

Remedios Varo. Harmony (Self Portrait). 1956

Surrealism, the trippy art and cultural movement that developed in Europe in the aftermath of World War I, traces its roots to the publication of André Breton's essay Manifeste du surréalisme, published in October 1924. 

The movement "aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to Breton, to 'resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality,' or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media as well." [-Wikipedia] 

Breton's manifesto states that, "hallucinations, illusions, etc., are not a source of trifling pleasure. The best controlled sensuality partakes of it." It continues, "The realistic attitude, inspired by positivism, from Saint Thomas Aquinas to Anatole France, clearly seems to me to be hostile to any intellectual or moral advancement. I loathe it, for it is made up of mediocrity, hate, and dull conceit."

Under the heading, "SECRETS OF THE MAGICAL SURREALIST ART," Breton evokes the hashish-taking poet Charles Baudelaire: 

"Surrealism does not allow those who devote themselves to it to forsake it whenever they like. There is every reason to believe that it acts on the mind very much as drugs do; like drugs, it creates a certain state of need and can push man to frightful revolts. It also is, if you like, an artificial paradise, and the taste one has for it derives from Baudelaire’s criticism for the same reason as the others. 

"Thus the analysis of the mysterious effects and special pleasures it can produce -- in many respects Surrealism occurs as a new vice which does not necessarily seem to be restricted to the happy few; like hashish, it has the ability to satisfy all manner of tastes -- such an analysis has to be included in the present study. It is true of Surrealist images as it is of opium images that man does not evoke them; rather they 'come to him spontaneously, despotically. He cannot chase them away; for the will is powerless now and no longer controls the faculties.' (Baudelaire.)"