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J.D. and Usha Vance at their Hindu wedding. |
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Harris (top left) wearing a sari. |
Celebrating famous female cannabis connoisseurs throughout herstory to the present day. All contents copyrighted. "Bright Leaf" artwork by Jean Hanamoto http://www.camomoto.com
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J.D. and Usha Vance at their Hindu wedding. |
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Harris (top left) wearing a sari. |
In his usual Teflonic and ironic fashion, The Donald managed to skirt the issue of the long list of performance-and-other drugs given out like candy at his White House, and the persistent accusations that he's the one on drugs. That he offered to take such a test himself means nothing, considering that he has no compunction about cheating on elections, his wives, and almost everything else. The fact that his plan was backed by former White House doctor Ronny (as in Reagan) Jackson (whose name Trump got wrong while bragging about passing the cognitive tests he administered), makes me wonder if his dastardly plan was to have Dr. Johnson-Jackson administer the tests, duly bribed to provide a negative result for Trump.
Leading up to the debate, MSNBC's Rachel Maddow laughed heartily at Chis Hayes's pronouncement that, "If performance drugs make you a better debater and president, I'm all for them." My twitter feed ruminated a bit on that, pointing out that it's "too bad the performance enhancers Trump is on make him even more delusional, narcissistic and evil."
Then Jon Stewart, who appeared live post-debate, nailed the thought as only he can (because, Great Heads Think Alike):
After stints performing with Count Basie and Artie Shaw, Holiday opened the Café Society, the first non-segregated nightclub in New York City, and did the two-year residency there that shot her to fame. The surveillance of Holiday by the FBI and the BNE (Bureau of Narcotics) started not long after she began her residency there. It intensified after she began singing "Strange Fruit," a song about a lynching. Barney and Leon Josephson, who owned the club, were considered shills for the Communist Party and were later prosecuted.
Holiday's political views, as well as her drug use, made her a target for surveillance. Talking about "Strange Fruit" and "the Jim Crow–sanctioned racism that motivated her to sing it," she publicly said, "That's what made me a communist. Everybody should be a communist—not like the communists you meet at benefits and rallies, though. Not that stuff, at all. But we should all believe in treating each other as human beings. Everybody should have the chance to eat and sleep in peace." Like others in the African-American community at the time, it was the Communist Party's stance on racial equality that won her support, writes Alexander.
Bitter Crop recounts that Holiday "had smoked marijuana since she was a teenager" and that "she particularly enjoyed sneaking off from Café Society between sets to smoke a reefer while driving around the city in a taxi." It was mostly men who took her down into heroin, starting by smoking opium with her husband Jimmy Monroe, whom she married in 1941. When Truman Capote saw her perform at the time, he wrote of "my most beloved American singer—then, now, forever....Billie, an orchid in her hair, her drug-dimmed eyes shifting in the cheap lavender light, her mouth twitching out the words."
The opening chapter contains one blockbuster revelation after another. It starts with a group of interdisciplinary scientists connected over a span of two decades to study human consciousness by anthropologist Margaret Mead and her third husband and fellow anthropologist, Gregory Bateson.
Aldous Huxley "read Mead carefully as he wrote The Doors of Perception following his mescaline experiments in the 1950s," Breen writes. Leary's earliest published work as a scientist was inspired by Bateson, and in one of his first speeches about psychedelics, he quoted Mead, while behind the scenes he tried to convince her to take psilocybin with him. Bateson was directly responsible for Allen Ginsberg's first LSD trip and played a key role in the birth of psychedelic psychiatry in the 1950s Silicon Valley, CA.
Every chapter continues to amaze with eye-popping enlightenments both delightful and diabolical, and each ends with a cliffhanger that draws the reader to dive into the next fascinating tale, making Tripping on Utopia almost impossible to put down.
The book quotes a "close friend" saying, "Carolyn was very bohemian, a downtown girl, which John loved, and he himself would walk around barefoot and smoke pot. Not to excess, but he could be bohemian, too." (It's possible the friend was Grateful Dead lyricist John Perry Barlow, who told author Christopher Anderson that John had a "Bohemian streak" that included the occasional joint.)
"In the eighties and nineties, recreational drugs were often part of the atmosphere, and John would occasionally smoke pot," writes Beller. "But he was always sure never to get out of control, and, as [his friend Robert R.] Littell wrote, 'John's attitude towards drugs was more cautious, perhaps because getting caught would have been wore for him. He was too committed to being healthy and fit, too conscientious, maybe afraid of the consequences.'"
Carolyn "felt the same way, though with a different set of motivations," according to Beller. "When she was in college, the consequences of getting caught were not nearly as outsized. But there was a similar sense of caution. As her Boston friend Jonathan Soroff, who was a reporter on the club scene at the same time Carolyn was doing PR for clubs, remembered of their club days, 'She would have a glass of wine, maybe two. Maybe smoke the tiniest bit of pot once in a blue moon. But that was the extent of it.' Another friend, MJ Bettenhausen, said that the night they snuck tequila into a concert by pouring it into Ziploc bags and tucking them into their boots was "more in the spirit of fun that getting wasted."
THE DAY OF THE LOCUST
Nathanael West began writing The Day of the Locust in 1937, the year the Marijuana Tax Act passed Congress, effectively making the plant illegal in the U.S. Discussing the book’s title with his editor Bennett Cerf, he wrote, “I rather like ‘THE GRASS EATERS.’ Quite a few intelligent people agree on that one."
West's autobiographical character Tod Hackett is a painter working at a film studio and on a painting titled "The Burning of Los Angeles." He calls himself an unwilling prophet of doom, a Jeremiah. In the bible, Jeremiah is chosen by God to portend disaster for Jerusalem because its people were burning incense to the pagan god Baal, or Bel.
Jeremiah 6:20 says, "For what purpose does frankincense come to Me from Sheba, and the kaneh bosm from a distant land? Your burnt offerings are not acceptable, and your sacrifices are not pleasing to Me." Some scholars think kaneh bosm, the fragrant cane, is mistranslated in modern Bibles as calamus instead of cannabis.
Mentioned throughout Jeremiah is Nebuchadnezzar, the Babylonian king and "grass eater" from the bible. (The Arabic word for "grass" is the same as "hashish.") Nebuchadnezzar re-named the Jewish captive Daniel “Belteshazzar,” meaning “worshipper of Bel” and his co-captives, renamed Shadrach, Meshach and Abednego, were saved from a firey death by their faith in God.
In Locust, the central, widely desired female character Faye Greener (not Redder, or Bluer) sleeps with a Mexican named Miguel just after she sings five verses of the Stuff Smith tune "If You're a Viper" (best known from Fats Waller's 1934 recording "Viper's Drag"):
I'm the queen of everything
Got to get high before I can swing…
Sky is high and so am I
If you’re a Viper.
A "viper" was slang for a pot smoker in the 1920s.
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Émile Bernard. Fumeuse de Haschisch, 1900 |
French post-impressionist painter and writer Emile Bernard (1868-1941) was part of the Cloisonnism and Synthetism movements, and had artistic friendships with Paul Gaugin, Paul Cézanne, and in particular, Vincent Van Gogh. Bernard's literary work comprised plays, poetry, and art criticism as well as first-hand art historical information on the period of modern art to which he contributed. He was a great admirer of the poems of Baudelaire.
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Stained Glass in the Basilica of Vysehrad in Prague, Czech Republic, depicting the Descent of the Holy Spirit as a Dove over Mary and the Disciples. |
On the Pentecost, it is written in the Bible (Acts 2), that Jesus's apostles were all gathered together to pray, along with "the women" and Mary, the mother of Jesus. Suddenly, there came "a mighty rushing wind," a common symbol for the Holy Spirit—the third godly member of the divine trinity of Christianity, along with the God the Father and the Son (Jesus).
The book, co-written by celebrity biographer Michelle Burford, starts with a description of Griner hastily packing to travel to Russia, where she played basketball for seven years, earning much more than she did in the US and—as revealed in the book and her interviews about it—being treated like a star. In her haste to pack her luggage, Griner neglected to remove two nearly empty vape pens containing cannabis, for which she had a doctor's recommendation in Arizona.
As she tells it, at the airport, a screener gestured to her to unzip her bags. She writes.
"I'd worked my way through the backpack when I opened one last zip. I slid in my hand and felt something inside. The agent stared as I slowly lifted out a cartridge with cannabis oil. Fuck. I'm a licensed cannabis user in the United States, with a medical marijuana card issued by my doctor. He prescribed [sic] cannabis years ago, to help me cope with my debilitating sports injuries. In Arizona cannabis is legal. In Russia it's forbidden. I knew that. Honest to God, I just totally forgot the pen was in my bag. The moment I felt it in that pocket, my stomach sank."
Griner doesn't write about her use of cannabis or how it helps her, but she does give some insight into how she was treated as an "addict" in Russia, where she was sent to be interviewed by a psychiatrist, who asked her, "When did your drug problem begin?" The book continues:
The gruesome Tate-LaBianca murders on August 9&10, 1969 are often cited as the death knell of the 60s, and this point is made in the 2018 documentary by Jakob Dylan, "Echo in the Canyon," which celebrates the musical culture of Laurel Canyon near Los Angeles, and also documents the grave effect the murders had on the scene there.
A little Googling on the topic lead me to the 2019 book, CHAOS: Charles Manson, the CIA, and the Secret History of the Sixties by investigative journalist Tom O'Neill. While it doesn't provide a direct link between Manson and the CIA, there's a great preponderance of evidence to connect, in horrifying way, the CIA's secretive MK-ULTRA program, which may have recruited Manson while he was serving time in federal prisons.
The book takes the reader on a journey through 20 years of O'Neill's research and hundreds of interviews with movie industry players, police, surviving Manson Family members, relatives of their murder victims, and others, including LA DA Vince Bugliosi, who made his name prosecuting the murders, followed by writing the bestselling book Helter Skelter about them.
O'Neill begins the book poking huge holes in the official record and prosecutorial procedure around the Manson family. Chaos details how a huge raid by the LA County Sheriff's office on the Manson family ranch in the weeks following the Tate-LaBianca murders lead to no arrests, despite stolen property and guns being found. Manson was also freed later that August after being caught with a stash of marijuana joints while in bed with an underage, 17-year-old girl, despite being on federal parole. O'Neill began to wonder if Manson was somehow being used as an informant by police, and thus kept getting a "Get Out of Jail Free" card.
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Elke Sommer and Sharon Tate in The Wrecking Crew |
O'Neill interviewed some of these characters and their associates, who bragged of connections to US intelligence that the author was able to confirm. Several times, they threatened to kill him in violent ways if he pursued his research, and they said Bugliosi was fearful of them, which is why he changed their names in Helter Skelter. Two of these men were in Jamaica at the time of the murders, giving them an alibi but leaving open the possibility that they could have enlisted Manson to commit them.
Soon, O'Neill's research pressed him to "broader connections and social implications" of politics in California. In Chapter 7, "Neutralizing the Left," O'Neill delves into efforts to defuse the Black Panther Party and how Manson might have connected with those efforts. He focused on "two secret intelligence operations that were under way in Los Angeles in 1969: the FBI's COINTELPRO and the CIA's CHAOS. Their primary objective, according to three congressional committees that investigated them in the mid-seventies, was to discredit the left-wing movement by any means necessary—an aim that, coincidentally or not, described the effect of the Manson murders."
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Remedios Varo. Harmony (Self Portrait). 1956 |
Breton's manifesto states that, "hallucinations, illusions, etc., are not a source of trifling pleasure. The best controlled sensuality partakes of it." It continues, "The realistic attitude, inspired by positivism, from Saint Thomas Aquinas to Anatole France, clearly seems to me to be hostile to any intellectual or moral advancement. I loathe it, for it is made up of mediocrity, hate, and dull conceit."
Under the heading, "SECRETS OF THE MAGICAL SURREALIST ART," Breton evokes the hashish-taking poet Charles Baudelaire:
"Surrealism does not allow those who devote themselves to it to forsake it whenever they like. There is every reason to believe that it acts on the mind very much as drugs do; like drugs, it creates a certain state of need and can push man to frightful revolts. It also is, if you like, an artificial paradise, and the taste one has for it derives from Baudelaire’s criticism for the same reason as the others.
"Thus the analysis of the mysterious effects and special pleasures it can produce -- in many respects Surrealism occurs as a new vice which does not necessarily seem to be restricted to the happy few; like hashish, it has the ability to satisfy all manner of tastes -- such an analysis has to be included in the present study. It is true of Surrealist images as it is of opium images that man does not evoke them; rather they 'come to him spontaneously, despotically. He cannot chase them away; for the will is powerless now and no longer controls the faculties.' (Baudelaire.)"
The kickoff press conference was held in conjunction with a Cannabis Mylar Art Exhibit, showcasing over 1,000 commercial mylar product packages from the legal and illicit market, at the Mirus Gallery & Art Bar at 540 Howard Street throughout April.
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One of the Mylar Art pieces at Mirus |
Wearing a Giants jersey and bright orange suit, Breed said she was grateful to be part of, “an opportunity that is so San Francisco.” She added, “When you think about San Francisco, you think about fun, you think about excitement, you think about joy. And the cannabis community, even before it was legalized in California, has been such an important part of that.”
Mentioning the Beat poets in North Beach and the Summer of Love in the Haight as examples of San Francisco culture that have spread across the world, Breed said today’s efforts would help “transform the conversation and open up opportunities for people to experience joy through cannabis.” She joked that SF Weed Week should be held at the same time as Restaurant Week (because, the munchies).
Cannabis businesses are projected to bring in $789 million to the city in 2024/25 Breed said, mentioning that SF has approved 52 business permits through their equity program, and has given out $11 million in grants for equity programs in cannabis. She said SF Weed Week was an opportunity to “support our dispensaries and small business, and use this as a way to bring tourists and other people back to our city for an experience that only San Francisco can provide.”
Marlon Brando, born on April 3, 1924, was an actor with an intensity like no other. He made his name after Tokin' Woman Tallulah Bankhead, who turned down the role of Blanche DuBois written for her in A Streetcar Named Desire, suggested "the cad" should play Stanley Kowalski. Brando went on to make motorcycle rebels cool in The Wild One (1953), and won his first Best Actor Oscar for On the Waterfront (1954).
In his book Songs My Mother Taught Me, he wrote, "So many things happened during the sixties and seventies that now a lot of those years are a blur. I was still trying to give my life some meaning and enlisted in almost any campaign I thought would help end poverty, racial discrimination and social injustice. But that wasn't all I did in those years; there was a lot of partying, getting drunk, having fun, jumping into swimming pools, smoking grass, lying on beaches and watching the sun go down. During the sixties in Hollywood, everybody was sleeping with everybody."
One more Women's History Month post:
I was surprised to learn of late that Cab "Reefer Man" Calloway had an older sister Blanche, who was also a musician and a big influence on him.
"Before swing-era singer, actor, and bandleader Cab Calloway was a household name, he wasn’t even the biggest name in his household. That distinction went to Blanche Calloway, his vocalist older sister and the first woman to lead an all-male jazz orchestra," begins a 2022 article Harvard Magazine.
"Blanche was known to be an incredible, charismatic performer, with a big personality. Her style and flair onstage was a huge inspiration for her younger brother, Cab Calloway, and she paved the way in show business for Cab," says an article in Opera Baltimore about the Baltimore-raised performer.This year, both Women's History Month and International Women's Day (March 8) have chosen equity, diversity and inclusion as their themes. It's a good time to look at equity in the cannabis industry, and honor those women who are a part of it.
Kim Cargile of A Therapeutic Alternative in Sacramento, who is a leader in empowering women to run cannabis businesses, recently posted a list on Facebook of, "Women who have gone to great lengths to push this industry forward, who have sacrificed everything while working on the front lines of the War on Cannabis. Women that are often overlooked by the corporate takeover of our industry and we should all know there names and if we know them, thank them."
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PHOTO: Larry Utley |
According to a 1998 article published in the Journal of Criminal Law & Criminology, "The Federal Bureau of Narcotics (FBN) attempted to intimidate sociologist Alfred Lindesmith, a long-time advocate of medical treatment of drug addiction, from the late 1930s to the early 1950s. In addition, the US banning of the 1946 Canadian film "Drug Addict" may have been a pivotal event in a pattern of censorship and disinformation carried on by the FBN under the leadership of Harry Anslinger."
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PHOTO: Raquel Cunha/Reuters |
“We want to take the plant back from the narcos,” said one of the "nuns," who uses the moniker “Sister Bernardet” online and asked not to give her name for fear of reprisal. "In a country ravaged by drug war and embedded in Christianity, the image of a marijuana-smoking nun is an act of rebellion," writes Al Jazeera. The nuns argue that "the fight against drugs in Latin America has been a failure, leading to widespread violence and mass incarceration."
The Sisters of the Valley started in 2014 in California's Central Valley, and media attention followed. According to the article, the Sisters "fashion themselves after a lay religious movement, the Beguines, that dates back to the Middle Ages. The group, made up of single women, devoted itself to spirituality, scholarship and charity, but took no formal vows."