Is Ethel Kennedy's Experience with LSD Therapy Informing Current US Policy?

Health Secretary RFK Jr.'s parents Robert and Ethel Kennedy

As the federal government moves to legalize psychedelics, particularly ibogaine, at the urging of Joe Rogan and in hopes no doubt that his and other drug-peace loving minions will look kindly on Trump and his coattail brigade of brigands in the upcoming midterm elections. Standing with Trump and Rogan at the policy announcement was HHS Secretary RFK Jr., whose support for psychedelics may stem from his mother Ethel's clinical experience with LSD in the 1960s while her husband was a US Senator.

Michael Pollan spoke about Ethel's LSD experience and RFK Sr.'s Congressional-floor comments on the topic during a Fresh Air interview about his new book, A World Appears: A Journey Into Consciousness. According to Acid Dreams by Martin A. Lee and Bruce Shlain, "The decision to curtail LSD research was the subject of a Congressional probe....the inquiry in the spring of 1966 was lead by Senator Robert Kennedy (D-NY), whose wife Ethel reportedly underwent LSD therapy with Dr. Ross MacLean." (p. 93). 

A SPIN magazine article "When Bobby Kennedy Defended LSD" reprinted in a newsletter from MAPS (Multidisciplinary Association for Psychedelic Studies), says that the conservative Sen. Thomas Dodd (D-CT), an alcoholic who was later censured by the Senate for political corruption, convened The Special Subcommittee on Juvenile Delinquency for three hearings on LSD and other psychedelic drugs in 1966. 

"RFK, whose wife had been treated with LSD and benefitted from the experience, adopted a quite different tone in his questioning of FDA and NIMH officials in his own subcommittee hearing on LSD," says the article. "He was curious as to why so many LSD research projects were getting scrapped. When the officials evaded the questions, RFK got straight to the point. 'Why if they were worthwhile six months ago, why aren’t they worthwhile now?' he asked repeatedly."

The article quotes Kennedy saying, "Perhaps to some extent we have lost sight of the fact that (LSD) can be very, very helpful in our society if used properly.”

Women's Biographies on Film

Inspired by a post on a Turner Classic Movies Facebook fan group that noted it's Women's History Month and asked for readers to send in their favorite costumes worn by women(!), I started coming up with this list of women who have been portrayed in film instead, and it's quite an impressive one: 

Greta Garbo lead the way in Queen Christina (1933). Just the way she runs up the steps for her entrance hooked me. And Katharine Hepburn was a fine Mary of Scotland in 1936. 

Greer Garson played orphans' advocate Edna Gladney in Blossoms in the Dust (1941) and Marie Curie Madame Curie (1943), a role played by Rosamund Pike in the 2019 film Radioactive. Garson was Oscar-nominated for playing Eleanor Roosevelt in Sunrise at Campobello (1960); Jean Stapleton played the role in the 1982 TV movie Eleanor, First Lady of the World. 

Bette Davis portrayed Queen Elizabeth I in The Private Lives of Elizabeth and Essex (1939). Jean Simmons played the young Queen in Young Bess (1953), as Cate Blanchett did (more realistically) in Elizabeth (1998).

Deborah Kerr starred in a fictionalized account of governess Anna Leonowens in The King and I (1956).  In 1959, The Diary of Anne Frank premiered; Shelly Winters donated the Supporting Actress Oscar she won for the film to the Anne Frank house in Amsterdam. Susan Hayward won an Oscar for her portrayal of Barbara Graham in I Want to Live. (Jazz, and marijuana, are blamed.) Patty Duke was named Best Supporting Actress for playing Helen Keller in A Miracle Worker (1962).

Cleopatra (1963) starred Elizabeth Taylor, the first actress to make a million dollars for a role. (The Queen of Egypt was also portrayed as smoking something in the 2005/07 HBO series Rome.) Debbie Reynolds played The Unsinkable Molly Brown in 1964; Kathy Bates played the role in Titanic (1997).  In 1965, Julie Andrews played a version of Maria von Trapp (without the yodel) in The Sound of Music.

Women's History Month 2026 - Leading the Change: Women Shaping a Sustainable Future

The theme of this year's Women's History Month is “Leading the Change: Women Shaping a Sustainable Future,” encompassing "financial sustainability, community resilience, leadership succession, and intergenerational equity." 

"Whether developing green technologies, advancing economic justice, strengthening education systems, or building civic power – women are designing blueprints for sustainable transformation," says the National Women's History Foundation. "This theme affirms that shaping a sustainable future means fostering systems that support both people and the planet." 

The cannabis, psychedelics and environmental movements have many women to honor who have advanced sustainability. 

One is Tina Gordon of Moon Made Farms, in Southern Humboldt, California. In her sustainably grown garden, Gordon incorporates "aspects of nature, native soil, and on-site composting, we introduce forest and plant material to our gardens to ensure the best and healthiest product. We want to encourage the genetics, and ultimately epigenetics of the plant to carry through an expression of this unique geographic environment."

Sophia Buggs—also known as Lady Buggs—is an urban farmer, medicine woman, and community leader in Youngstown, Ohio. Through stories, blessings, and reflections, she explores themes of ancestral connection, Indigenous practices, food justice, and the challenges and joys of negotiating community partnerships. Her talk at the Women's Visionary Congress 2023 is both a celebration of cultural heritage and a call to honor the unseen forces and generational wisdom that guide us toward collective healing and empowerment. 

Winona LaDuke (pictured), the Native American activist who ran for Vice President on Ralph Nader's ticket in 1996 and 2000, is growing hemp and other crops in Osage, MN, where she operates a hemp market store and coffee shop. "I want to scale up and join the 400,000 other horse powered farming operations in North America, understanding the sacred relationship between life, power and the future," LaDuke writes. "I would like to live well, I am interested in decoupling food and hemp from fossil fuels, and I am also interested in the quality of life which small-scale farming creates." 

Paul McCartney: Man on the Run

The new Amazon Prime documentary, "Paul McCartney: Man on the Run" charts McCartney's marijuana arrests and their affect on his music, and life. 

Through archival film footage and interviews, the film follows McCartney's musical journey, starting with the breakup The Beatles. Criticized for putting out apolitical albums of what he later called (unapologetically) "silly love songs" with his band Wings—featuring his wife Linda on keyboards—the band and Paul's songwriting gained an edge when he faced jail time for growing five marijuana plants on their family farm in March 1973. 

According to a TV interviewer in the film, it was said in court that, "McCartney had a considerable interest in horticulture, and many of his fans sent him seeds to grow. The cannabis seeds, it was said, came to him in such a way."  He admitted he had knowingly growing the plants, but claimed he didn't know what they were. 

The film does not mention the statement McCartney made in court regarding cannabis's legal status. “I feel that there should be legislation on the use of cannabis," he said. "Drink is a much worse drug to my mind than cannabis.” 

Later that year, Wings hit their stride with the release of their album "Band on the Run." The album was recorded in Nigera, where McCartney said he smoked the strongest weed he ever had in an interview with Marc Maron where he noted that "for the creative process it was required." 

Alysa Liu: From Oaksterdam to the Olympics

I've always loved figure skating, maybe since watching the graceful and glorious Peggy Fleming winning the Olympic gold medal in 1968 when I was just a girl. Where I grew up in Pennsylvania we skated in the winter, on ponds at our local mall that had an ice skating rink where scenes from the movie "Flashdance" were filmed. 

At this year's Olympics I fell for Alysa Liu during her short program, which placed her third going into her final triumphant free skate. Liu is an entirely different kind of skater, one more focused on her art than the competition, resulting in a relaxed and joyous presence on the ice that's captivated the world. 

Liu trained at the public rink in the city of Oakland, CA, just a few blocks away from the area known as Oaksterdam for its preponderance of Amsterdam-style cannabis shops that started springing up after California voters legalized medical marijuana in 1996. She gave a shout-out to her home city, pointing to an Oakland flag that a fan had brought, after her championship skate that was set to Donna Summers's disco version of "MacArthur Park," a 1970s song about a park in Los Angeles. “I’m just glad,” she said, “that I could bring Oakland to Milan.” 

Liu's father, who (as everyone knows by now), fled China after organizing protests against the government there, saw promise in his oldest child and paid for skating coaches, taking her to winning her first US National Championship at age 13 (the youngest female champion ever). At the 2022 Olympics in Beijing, she came in sixth despite the extra pressure of the Chinese government attempting to "naturalize" her, after sending spies to gather information on her and her father. Doubtlessly traumatized by that, and tired of the regimented life of a competitive skater, she quit the sport that year at the age of 16, so that she could have more of a normal teenage life, going to concerts, taking her first vacation, and getting her driver's license. 

Describing going on a ski trip with friends in 2024, Liu said it "was such an adrenaline rush, to get down the mountain when your legs are that tired. It's hard, and you had to tap into that part of you that fights, and I hadn't felt that since I quit skating.....and I was like, if I can get what I'm feeling from skating, I should just do that." 

Liu told 60 Minutes that she initially went back to skating for "quick hits of dopamine." She told ESPN, "I have ADHD and I love situations that I'm not expecting. It gives me a dopamine rush. With little mistakes, I love working through it. I have to think. And although it's not ideal to make those mistakes in competition, it was made and my brain still was releasing those chemicals and I had to think, 'What next? I have to add a combo here and here.' It was a little bit of fun and a nice little challenge."

It's Time for the NYT To Admit It Has an Editorial Problem

A discussion titled, “Marijuana is Everywhere. That’s a Problem” with New York Times editorial writers Emily Bazelon, David Leonhardt and German Lopez, who co-wrote Monday’s NYT editorial calling for greater regulation of cannabis, focuses on theory rather than practicality, except when used for prejudicial purposes. 

The conversation starts with the clarification that, like the famous NYT editorial series of 2014, theirs is pro-legalization, due to the harms of cannabis prohibition—namely huge numbers of arrests, disproportionately for people of color. They pointed out that they say in the editorial that they oppose the current ballot measure in Massachusetts that would re-criminalize cannabis. 

During the discussion, both Leonhardt and Lopez went right away to the fact that things are too loose now because marijuana can be smelled walking down the street. In Lopez’s case he says he was offered a hit on the street in his native Ohio, and Leonhardt talked about the streets of NYC and DC, where he spends time. Leonhardt also seemed distiurbed by the proliferation of cannabis shops in Colorado. 

Lopez expressed concern that legalization has increased use, drawing on his perspective reporting on the opioid crisis. He was also alarmed that we have “culturally embraced" cannabis. “You see Gwyneth Paltrow investing in Big Weed in CA,” was an example he used, picking up on the prohibitionist organization SAM’s drumbeat about Big Weed.  

Other issues like increasing numbers of people in polls saying they have problems with marijuana, and emergency room visits for CHS, were mentioned. Also mentioned, as in the editorial, were names of products that sounded like cookies and were marketed to kids (something that isn’t permitted by licensed vendors in California and elsewhere). 

Much was made of the 2024 NSDUH survey finding that more people smoke cannabis daily than use alcohol, with everyone assuming this meant people get totally stoned all day long. Leonhardt said twice that he “very much likes” alcohol or his martini, and Lopez said he “partakes" himself. But apparently everyone else who uses cannabis does so problematically in their eyes. People who have a problem with pot aren’t productive, and create problems for society, is Lopez's opinion. "We’ve gone way too far it glorifying its use,” he said.

On medical marijuana, while it was acknowledged that some people in pain or with specific ailments might benefit from it, cannabis hasn’t gone through the rigorous studies and government oversight needed to establish it as a true medicine, and we should re-think a system by which cannabis dispensaries sell a product claiming medical use, the speakers said. 

It's a Green Day in the Bay

Lost in the controversy about Bad Bunny appearing at the Super Bowl halftime show is the fact that the cannabis-loving band Green Day will kick off the music portion of the Super Bowl with a performance at the game's opening ceremony.

In 1987, guitarists Billie Joe Armstrong and Mike Dirnt, both 15 years old at the time, along with bassist Sean Hughes and drummer Raj Punjabi, a fellow high school student from Pinole, CA, formed the band Desecrated Youth, later renamed Sweet Children. 

After signing with Lookout! Records in 1988 and before releasing their first EP in 1989, the group adopted the name Green Day. In the Bay Area, where the band was formed, "green day" was reportedly slang for spending a day doing nothing but smoking marijuana.

The band's name "was absolutely about pot," Armstrong told Bill Maher, adding, "We were trying to be the Cheech & Chong of punk rock." Armstrong went on to say that he stopped smoking weed after he had children, and then described a gravity bong to Maher. "I like burning the substance" as opposed to vaporizing, he said, because he "it smells good, it fills the room." Vaporizing felt like "one more reason to hide the fact that it should be legal."