Tamara de Lempicka, "Young Woman in Green" (1931) |
Born Tamara Rosa Hurwitz, either in Warsaw or St. Petersburg to a family of Polish Jewish elites that encouraged her artistic interest with a tour of Italy. She married Tadeusz Lempicki in 1916, just before the October Revolution of the following year sent them fleeing Russia to Paris. Using the feminine declension of her husband's surname, Lampicka enrolled at free academies in the artistic community of Montparnasse, and began a lesbian affair with poet Ira Perrot, the subject of her first portraits. She began exhibiting at the Salon des Independants, held annually in Paris, under the masculine name Lempitzsky.
The timeline of Lempicka's life at the exhibit says that in 1922, "Tadeusz grows intolerant of his wife's affairs, cocaine use, late nights spent at clubs followed by valerian-induced sleep, and long work sessions listening to Richard Wagner at full volume." The couple divorced the year she painted a portrait of him, wherein his left hand (where his wedding ring would be worn) is purposely left unfinished. Lempicka picked up her paintbrush to support herself and her child, exhibiting in the United States, and with the Société des Femmes Artistes Modernes in Paris. She subsequently married Baron Raoul Kuffner, becoming Baroness Kuffner.