 |
| Man Ray, Le Violon D’Ingres, 1924. Kiki is the model. |
In the preface to the 1929 book
Kiki's Memoirs, Ernest Hemingway wrote, "She dominated the era of Montparnasse more than Queen Victoria ever dominated the Victorian era." He was describing the woman known Kiki de Montparnasse, a muse, chanteuse, painter, actress, and cultural icon like no other.
Born Alice Prin in 1901 to an impoverished single mother in Paris, she was required to work menial jobs from the age of 12 at places like print shops and shoe factories. Finding joy in self decoration, she "would crumble a petal from her mother's fake geraniums to give color to her cheeks and was fired from a nasty job at a bakery because she darkened her eyebrows with burnt matchsticks." (
Source.)
Uninhibited by posing in the nude, she was determined to make a living as an artists' model while still in her teens, which caused her mother to turn her out of the house. The proprietress of Rosalie's restaurant in the Montparnasse district of Paris took pity on the young Alice, and often fed her. Rosalie's or La Rotonde may be the place where Modigliani, one of dozens of artists who painted or sculpted portraits of Kiki, paid his bill by slipping Futurist painter Gino Severini a chunk of hashish. (Source: Modigliani: A Life by Meryle Secrest, p. 106).
In 1921, Kiki began an eight-year affair and artistic collaboration with the photographer Man Ray, during which time he influenced her style and took hundreds of portraits of her, including the iconic surrealist image
Le Violon d'Ingres (
Ingres' Violin) and
Noire et blanche (Black and White). She also acted in experimental films shot by Man Ray.
With a distinctive pointed-nose profile, Kiki also possessed "an extraordinary complexion which you could put makeup on in any form, and she did, too," said Lee Miller, Man Ray's subsequent collaborator and lover. "She was absolutely a gazelle," Miller said. (Source:
Kiki Man Ray by Mark Braude, p. 229). "She had the short bobbed hair and unconventional look and really an energy, I think that people just really competed to capture," her biographer
Mark Braude told The Octavian. "The bob and that whole fringe cut became ubiquitous by the end of the '20s. But when she started in 1921, 1922, that was actually a dangerous thing." (Kind of reminds me of when
Tokin' Woman Patti Smith invented the shag haircut on herself and soon everyone copied her style.)
 |
Kees van Dongen, Portrait of a Woman with a Cigarette (Kiki de Montparnasse) ca. 1922-1924, |
JE CONNAIS LA DROUGE
In Kiki's memoir, illustrated with her portraits and her own drawings, she tells of her introduction to cocaine while still a teenager (and a virgin). In a chapter titled, "Je Connais La Drogue" (I Know Drugs) she writes:
"A sculptor for whom I pose entrusts me with an errand to run on the Champs-Élysées. I have to deliver a statuette to a gentleman of high importance. But he warns me that I must not be frightened by what I will see and above all, if I see money lying around not to worry about it."
Opening the door at the address where she is sent is a man of 40 years who "has the face of a bon vivant and a nose as if he had a bad cold!" He takes her on a tour of the apartment where, "Before letting me into another, darker room, he demands that I undress and put on a beautiful Chinese dress, white silk socks and golden slippers.
In this room, all the wonders are gathered: the most beautiful collections of butterflies, lace, carpets, shawls. It's enough to give you a stiff neck. I want to see it all at once! It's magical."
She then writes, "I had noticed that from time to time he opened a pretty gold box from which he took, with a very small gold shovel, a pinch of white powder that he put in his nose; immediately afterwards he became very eloquent and I listened to him open-mouthed!
"I took advantage of a moment when his back was turned to take a pinch of it myself and sniffed it.
A while later, I felt very light; I was no longer thinking about anything. Life seemed beautiful... beautiful!"
