Louis and Lucille |
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Lucille Armstrong in 1983 |
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The San Francisco hotel where Louis wrote about gage. |
Celebrating famous female cannabis connoisseurs throughout herstory to the present day. All contents copyrighted. "Bright Leaf" artwork by Jean Hanamoto, camomoto at Spoonflower.com
Louis and Lucille |
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Lucille Armstrong in 1983 |
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The San Francisco hotel where Louis wrote about gage. |
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Hermes Pan with Ann Miller in "Kiss Me Kate" |
I can't find any other reference to Astaire and marijuana, but the choreographer most closely associated with him, Hermes Pan, is described in a biography as offering both tobacco and marijuana cigarettes to guests at a 1949 dinner party at his home in Coldwater Canyon.
Astaire called Pan his "ideas man" and the two began their collaboration on "The Carioca" number for "Flying Down to Rio" (1933) (probably the most humorous dance duet ever). Pan also suggested Astaire dance with a hat rack in "Royal Wedding," and advised him how to do it. He continued to collaborate with Astaire right up until his last musical picture, Finian's Rainbow.
Pan's career began with an appearance as a chorus boy in the Marx Brothers' 1928 Broadway production of "Animal Crackers." At that time, marijuana was still legal, and Chico Marx told an interviewer in 1959 that Groucho took his name from the "Grouch bag" they'd wear around their necks in their Vaudeville days, adding, "In this bag we would keep our pennies, some marbles, a couple of pieces of candy, a little marijuana, whatever we could get...because, you know, we were studying to be musicians."
Pan was also close to VIP Diego Rivera, who may have turned him on to pot in Mexico, if Errol Flynn's account of his own experience with Rivera serves. Pan and Rivera met at the Palace Hotel in San Francisco in 1940, introduced by actress Paulette Goddard, who appeared in Charlie Chaplin's "The Great Dictator" and "Modern Times" as well as "The Women."
In 1943, Pan visited Rivera at his home in San Angel near Mexico City where Rivera asked Pan to pose for him dancing, so that he could work out techniques for depicting motion in his paintings. He also painted a portrait of Pan.
Flynn wrote in his autobiography My Wicked, Wicked Ways that he visited Rivera in 1935, introduced by another actress, Dolores Del Rio (who also appeared in "Flying Down to Rio"). Rivera offered Flynn marijuana, which he smoked, and afterwards he could hear the paintings singing.
"Pan found life in Hollywood even more superficial and insignificant after his return from San Angel," wrote his biographer John Franceschina. Maybe the two-week posing process included puffing something mind expanding and if so, he shared some with his friend Fred.
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Detail from Rivera's "Pan American Unity" mural seems to depict a love triangle with Frida Kahlo, himself and Goddard before the Tree of Life. |
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Teresa and George McGovern after he won the Massachusetts Democratic Primary |
Another beloved Christmas film, "The Man Who Came to Dinner" (1942), edits out a scene from the 1939 play by Moss Hart and George S. Kaufman where absinthe is mentioned.
In the film, Sheldon Whiteside, played by Monty Woolley, is the unwanted guest of staid Ohio industrialist Ernest Stanley over the Christmas holidays.
The original play has this scene:
JOHN (manservant): And Sarah has something for you, Mr. Whiteside. Made it special.
WHITESIDE: She has? Where is she? My Souffle Queen!
SARAH (cook): (Proudly entering with a tray on which reposes her latest delicacy) Here I am, Mr. Whiteside.
WHITESIDE: She walks in beauty like the night, and in those deft hands there is the art of Michelangelo. Let me taste the new creation. (...swallows at a gulp one of Sarah's not so little cakes. An ecstatic expression comes over his face) Poetry! Sheer poetry!
SARAH: (beaming) I put a touch of absinthe in the dough. Do you like it?
WHITESIDE: (rapturously) Ambrosia!
Interestingly, the word "counterfeiting" in the play's line, "If that's for the Stanleys, tell them they've been arrested for counterfeiting," was changed to "dealing dope" in the film. Mr. Stanley brags of building ball bearings for the war effort, which is what the real Ohio industrialist Henry Timken did. Timken's son Harold H. ("Henry") also grew hemp in Imperial Valley, California in 1917.
Woolley also appeared in the Christmas movie "The Bishop's Wife" (1947), in which he plays a professor
who describes to the Bishop (David Niven) the never-emptying bottle of sherry that the angel (Cary Grant) bestows upon
him thusly: "It warms. It stimulates, It inspires. But no matter how much you
drink, it never inebritates....it's something you can't explain with all
your Ecclesiastical knowledge."
In his latest brilliant column on marijuana, VIP Andrew Sullivan skewers David Frum and NIDA for their backwards words and policies. He writes,
"The whole point of marijuana use is to disrupt settled ways of thinking and feeling, to offer a respite, like alcohol, from the deadliness of doing. But for reasons we don't quite yet understand, marijuana, like other essentially harmless drugs in moderation, can prompt imaginative breakthroughs, creative serendipity, deeper personal understanding, and greater social empathy and connection. People need these things and have always sought refuge in them, especially at this time of year in the Northern Hemisphere."
True, even at the movies.