Saturday, January 11, 2014

My, Oh Maya

UPDATE 10/15: Angelou is included in the new book Tokin' Women: A 4000-Year Herstory.




Revered author Maya Angelou, the first poet since Robert Frost to read a poem at a Presidential inauguration, wrote about her experiences with marijuana in Gather Together in My Name, the second installment of her autobiography after the acclaimed I Know Why the Caged Bird Sings. 

Angelou, who started life as Rita Johnson from Stamps, Arkansas, was raped at the age of 7, and had an illegitimate child in her teens. Working as a waitress to support her son in San Diego, 18-year-old Rita met two lesbian prostitutes who frequented the bar where she worked. One night, the women invited her to their house for dinner. Angelou recounts:

"Let's have a little grifa before dinner." Johnnie Mae gave an order, not an invitation. She turned to me. 
"You like grifa?"
"Yes. I smoke." The truth was I had smoked cigarettes for over a year, but never marijuana....I was prepared to refuse anything else they offered me, so I didn't feel I could very well refuse the pot....

I inhaled the smoke as casually as if the small brown cigarette I held were the conventional commercial kind.
"No. No. Don't waste the grifa. Hand it here....try it like this..." 
I opened my throat and kept my tongue flat so that the smoke found no obstacle in its passage from my lips to my throat....

The food was the best I'd ever tasted. Every morsel was an experience of sheer delight. I lost myself in a haze of sensual pleasure, enjoying not only the tastes but the feel of the food in my mouth, the smells, and the sound of my jaws chewing. 

"She's got a buzz. That's her third helping." 

...I decided to dance for my hostesses. The music dipped and swayed, pulling and pushing. I let my body rest on the sound and turned and bowed in the tiny room. The shapes and forms melted until I felt I was in a charcoal sketch, or a sepia watercolor. (pp. 52-55)

By the end of the evening Rita had arranged to rent the women's house, putting them to work for her as prostitutes, with her barganing for their services with cab drivers and taking a cut. Meanwhile, she read Dostoevsky and studied dance. Soon the arrangement turned sour and she had to flee back to Stamps, where drinking Sloe gin "numbed my brain" and she had to make herself sick to get rid of the poison.

Rita went back to the West Coast and tried joining the Army in San Francisco, but was turned down because the The California Labor school, where she'd studied dance and drama, was deemed a Communist organization. So she started waitressing again, and smoking pot.

Smoking grass eased the strain for me. I made a connection at a restaurant nearby. People called it Mary Jane, hash, grass, gauge, weed, pot, and I had absolutely no fear of using it. In the black ghetto of the forties, marijuana, cocaine, hop (opium) and heroin were only a little harder to obtain than rationed whiskey. Although my mother didn't use anything but Scotch (Black & White), she often sang a song popular in the thirties that at its worst didn't condemn grass, and at its best extolled its virtues.

"Dream about a reefer five foot long
Vitamin [sic] but not too strong
You'll be high but not for long
If you're a viper..."

I learned new postures and developed new dreams. From a natural stiffness I melted into a grinning tolerance. Walking on the streets became high adventure, eating my mother's huge dinners an opulent entertainment, and playing with my son was side-cracking hilarity. For the first time, life amused me. ...

I disciplined myself. One joint on Sunday and one on the morning of my day off. The weed always had an intense and immediate effect. Before the cigarette was smoked down to roach length, I had to smother my giggles. Just to see the falling folds of the curtains or the sway of a chair was enough to bring me to audible laughter. After an hour the hysteria of the high would abate and I could trust myself in public. (p. 154). 

After a brief stint dancing professionally, she met a married man who told her her, "It's gauge that's breaking my marriage....My silly dilly wife stopped letting me have any and she goes around laughing and giggling all the time." She flushed her pot for him and soon let him lead her into prostitution herself, where she was told if she was good she'd be given some "white girl" (cocaine) but, "They won't let you smoke hemp, though. They say it makes a 'ho too frisky. 'Hos get their heads bad and forget about tending to business."

At the close of the book, another man named Troubador shows her how he shot heroin, and makes her promise to keep her innocence. He gives her his clothes to sell so that she can escape and head back to her Mother's house.

In the following autobiographical installment, Singin' and Swingin' and Gettin' Merry Like Christmas, Rita is discovered while dancing at a strip club in San Francisco and develops a Calypso singing act, changing her name and eventually finding her way to activism with Martin Luther King and Malcolm X, as well as writing with the encouragement of James Baldwin and others.

Maya Angelou received over 50 honorary degrees and three Grammys. She was awarded the Presidential Medal of Arts in 2000 and the Lincoln Medal in 2008.

PS: During the outpouring of tributes from everyone, including President Obama, after Angelou's death, I learned that she was the first African-American woman to operate a cable car in San Francisco (in her teens!) Cable cars use hemp fiber in the center of their steel cables. Another cannabis connection.

PPS: Angelou isn't the only revered US poet to sing the praises of pot. In his book of Haiku She Was Just 17, former poet laureate (2001-2003) Billy Collins wrote:

So many nicknames for you 
But none as lovely as 
marijuana

NOW AVAILABLE: Tokin' Women: A 4000-Year Herstory.

Wednesday, January 8, 2014

Nancy Grace the Nattering Nay-Sayer


HLN host and former prosecutor Nancy Grace is back getting flack for yet another wild and scandalous statement. When asked by CNN's Brooke Baldwin about Colorado's new, hugely successful pot legalization law, Grace called it "a horrible idea."

Grace first raised the specter of stoned cab driver or airline pilots, and when Baldwin countered with the idea of responsible use in one's own home, she responded, "Your home, where you're supposed to be taking care of your children, or cooking on a gas stove or lighting a fireplace? Not a good idea."

“When I’m at work, I don’t want my babysitter high on pot,” Grace said. “The ones that are disagreeing are lethargic, sitting on the sofa eating chips. Pot, it makes you fat and lazy.” Grace, who claimed to have read "every shred of scientific data" ever written about the subject, must have missed the one that found pot smokers are skinnier and healthier than their counterparts. Ditto for Tina Brown, who Tweeted, "...legal weed contributes to us being a fatter, dumber sleepier nation even less able to compete with China."

At least Grace pointed out that drivers should only be prosecuted if they're impaired, not if they happen to have metabolites in their urine or hair. But that didn't stop her from scare-mongering about driving at the outset of the interview. At the end of the segment, she accused Baldwin of being pro-pot because she interviewed a Colorado tour operator about his pot tours.

Grace is no stranger to hyperbole, and loves to sensationalize cases involving children and drugs. According to Wikipedia, the Supreme Court of Georgia twice commented on Grace's conduct as a prosecutor, once  in a 1994 heroin-trafficking case in which the Court declared a mistrial, saying that Grace had "exceeded the wide latitude of closing argument" by drawing comparisons to unrelated murder and rape cases. An episode of The Newsroom deals with the difficulty of presenting real news opposite the sensationalism of Grace's handling of the Casey Anthony case.

In September 2006, 22-year-old Melinda Duckett committed suicide following an interview conducted by Grace concerning the disappearance of Duckett's 2-year-old son Trenton. Toni Annette, dubbed the "vodka mom" by Grace, who brought a bottle of vodka onto her set in an attempt to mock Medrano following the death of her infant son, committed suicide by setting herself on fire after the interview.

On the lighter side, one website responded to Grace's latest rant with a VIP-heavy story titled, "Hi, Nancy Grace: Here Are Some ‘Fat and Lazy’ Pot Smokers Who Never Amounted to Anything." D Funk Time Michaels @darinlovesbacon tweeted, "As a fat and lazy person, I don't appreciate Nancy Grace accusing me of smoking pot."

Meanwhile a satirical news story claiming 37 died from overdoses on the first day of legalization in Colorado has made dupes out of millions, including Sweden's Chief Justice Minister, Beatrice Ask.

If Grace and Ask are concerned about crime (as they should be), they shouldn't miss the new study finding that states who've passed medical marijuana laws, and their neighboring states, have fewer assault and property crimes.

UPDATE 1/18/2014 - Grace has really gone off the deep end on this issue, raising a Reefer Madness-style specter of "people on pot that shoot each other, that stab each other, that strangle each other, that kill whole families — wipe out a whole family.”

As an example, she talked about the first pot case she saw as a prosecutor, with a “...gorgeous lady standing in the middle of the courtroom crying, and I didn’t understand what was going on. They said she was a stockbroker. She had got addicted to pot, ended up losing her job, wrecked her car, couldn’t make her house payments on her house, so her husband got custody of the children, and now she has no house, no car, no family, nothing.” Even if true, she didn't stab or strangle her family. And arguably, stockbrokers are the real criminals in our society.

The Young Turks showed an interesting mash up of Grace on the topic. 

Friday, January 3, 2014

Marcus Misses the Mark on Marijuana

Among the list of journalists now admitting they've smoked pot is Ruth Marcus of the Washington Post, who also joins the ranks of hypocrites who nonetheless don't think it should be legal.

In Marcus's post-legalization column on the subject, she admits:

I have done my share of inhaling, though back in the age of bell-bottoms and polyester. Next time I’m in Colorado, I expect, I’ll check out some Bubba Kush. Why not? They used to warn about pot being a gateway drug, but the only gateway I’m apt to be heading through at this stage is the one to Lipitor. 

Yet she continues, "Still, widespread legalization is a bad idea, if an inevitable development" and goes on to quote chapter and verse from government propaganda straight from the ONDCP.

She writes:

I’m not arguing that marijuana is riskier than other, already legal substances, namely alcohol and tobacco. Indeed, pot is less addictive; an occasional joint strikes me as no worse than an occasional drink. If you had a choice of which of the three substances to ban, tobacco would have to top the list. Unlike pot and alcohol, tobacco has no socially redeeming value; used properly, it is a killer.

Yet she concludes: "On balance, society will not be better off with another legal mind-altering substance. In particular, our kids will not be better off with another legal mind-altering substance."

Oh, for heaven's sake. That old argument? Nothing about freedom to choose the less harmful substance? As though prohibition is working to keep teens away from pot.

Marcus, a Harvard law graduate from Philadelphia, is supposedly a liberal Democrat and has two teenage daughters. Write to Marcus at ruthmarcus@washpost.com

P.S. Colbert took on Marcus and David Brooks on his first show of 2014. Favorite line: "I applaud Marcus and Brooks for taking a stand against legalizing the pot they smoked."

Wednesday, January 1, 2014

Denver Does It!



Among other beautiful synchronicities, the city of Denver became the first in the country to legalize adult marijuana sales this morning, one day after what would have been the 70th birthday of VIP John Denver, a marijuana fan and author of "Rocky Mountain High," one of Colorado's official state songs.

The Mile-High City was the site of the first US arrest for marijuana after it was effectively made illegal across the country in 1937. Today, people from all over the country stood in line for hours in Denver to buy a legal high.

Thursday, December 26, 2013

2013 Tokey Awards




Tokin Woman is proud to bestow 

the following “Tokey” Awards for 2013, 

in recognition of the achievement, 

courage and compassion of the awardees 

(and in a few cases, the lack of enlightenment).



TOKIN WOMAN OF THE YEAR AWARD
Oprah Winfrey


VOICE OF THE PEOPLE AWARD
Bill Maher

CULTURAL AWARENESS AWARD


BLUNT MOVE OF THE YEAR 


FLIP FLOPPER OF THE YEAR

"WHAT'S THE BIG WHOOP?" AWARD


JUSTICE FOR ALL AWARD

BEST OPINION PIECE
Melissa Etheridge

Sanjay Gupta

BEST REPORTING AWARD
David Downs, East Bay Express
Ryan Burns, North Coast Journal
Pot POWs


TOP TWEET
"I'm no fan of drug addicts, just thinking about them makes me so angry I need another Xanax."

WHAT WERE THEY SMOKING? AWARD


A FOND FAREWELL TO:

Monday, December 16, 2013

Gracing the Emerald Cup



Scout, Grace Slick
The Emerald Cup's 10th Anniversary event at Northern California's Santa Rosa Fairgrounds last weekend was, by all accounts, a leap forward in acceptance and celebration around the cannabis plant. And oh yea, it was a great party too.

Music was provided by Big Brother and the Holding Company (sadly, without Janis Joplin), Canned Heat (who opened with a rocking "On the Road Again"), and Jefferson Starship (missing Grace Slick).

Slick was shoulder to shoulder with Janis as the strongest female rock and roll voice of the 60s. The girl could wail. On top of that, she wrote "White Rabbit" the rock anthem of its day with a haunting Bolero beat:

One pill makes you larger 
And one pill makes you small
And the ones that mother gives you 
Don't do anything at all
Go ask Alice
When she's ten feet tall.  

Asked about the song, Slick said, "...[P]arents read us these books, like Alice in Wonderland, where she gets high, tall, and she takes mushrooms, a hookah, pills, alcohol. And then there's the Wizard of Oz, where they fall into field of poppies and when they wake up they see Oz. And then there's Peter Pan, where if you sprinkle white dust on you, you could fly. And then you wonder why we do it? Well, what did you read to me?" (SOURCE: Got a Revolution! The Turbulent Flight of Jefferson Airplane by Jeff Tamarkin, 2003 Atria Books)

Slick has now put down the mike and picked up a paintbrush, and her visual art is as provocative and powerful as her music. At the event, her presence was decidedly present with a Wonderland display of her paintings and prints, kindly brought by Fine Art Productions in Santa Rosa. (She is also represented by Saatchi Art.)

Monterey, Grace Slick

In Monterey, a visual record of the pre-Woodstock Monterey Pop festival of 1967,  Slick lights a J for David Crosby and Jerry Garcia, flanked by Mama Cass and Jimi Hendrix. The Who, Joplin, John Phillips, John Lennon, Ravi Shankar, Gandhi and Alice (with a bunny on her head) are depicted. It reminded me of The Cup, and of Marie Laurencin's Les Invitees, a painting of a 1908 hashish adventure.

The rabbit is a big part of Slick's iconography, and she's invented a character named "Rescue Rabbit" who, in one painting, carries cannabis to the Capitol building in DC and in another ("Shootin Dope") fires a gun at its medicine cabinet. Another image has Alice perched on a mushroom, chasing a rabbit on a path where Timothy Leary appears as the mad hatter and Ram Dass is the caterpillar. Slick paints Alice smoking a hookah herself (only the grouchy Queen abstains) in Marikkesh.

P.L. Travers as Titania in A Midsummer Nights Dream
Just in time for Christmas: Another magical children's character, Mary Poppins, will be back on the big screen in Saving Mr. Banks. I notice in the original Disney movie, the children get high at a giggly tea party on the ceiling, and jump into a psychedelic chalk painting. Poppins creator P.L. Travers was a bohemian who was greatly affected by Gurdjieff and hung out with hashish-taker William Butler Yeats, who fostered her interest in world mythology.

The Paris Review asked Travers, "What do you think of the books of Carlos Castaneda?" She replied:

I like them very much. They take me into a world where I fear I will not belong. It’s a bit more occult than my world, but I like Don Juan’s idea about what a warrior is and how a warrior should live. In a way, we all have to live like warriors; that’s the same as being the hero of one’s own story. I feel that Castaneda has been taken into other dimensions of thinking and experiencing. I don’t pretend to understand them, and I think I understand why Castaneda is so slow to give interviews and tries to separate himself from all of that. He doesn’t want to explain. These things can’t be explained in ordinary terms. . .


Saturday, December 7, 2013

How To Make An American Pot Party

After I gave a slide show presentation titled, "Women and Cannabis: A 4000-Year Herstory" at the First Annual Cannabis and Healing conference for women in Wilton, California, a lovely lady came up to me and said that the women spoke pot in the movie How to Make An American Quilt. It's true, both in the book and the movie, which takes place in a town called Grass, California.

"Sometimes in motel rooms between their children’s homes, Glady Joe and Hy drink whiskey and smoke a little reefer. It is their secret. They say it helps them sleep better in strange beds. They buy it from a grandchild in graduate school, a young woman named Finn Bennett-Dodd. Who has promised not to betray them to her parents or the other relatives. Finn understands that, more than the fact that pot is illegal, it upsets people when two elderly grandmothers indulge in this private ritual."    ---Whitney Otto, How To Make An American Quilt 1991

In the movie, sisters Glady Joe (Anne Bancroft) and Hy (Ellen Burstyn) smoke a joint on the porch with their grandniece Finn (Winona Ryder) after she arrives for a visit. They start talking about family secrets, and Finn asks: "Was it a mistake, letting you two smoke?"

This leads to giggles.

Bancroft is bogarting badly when Burstyn reaches over to ask for a toke. After she has hers, she's able to tell her story. Finn, who's come to do a master's thesis on her quiltmaking relatives while deciding whether or not to get married, gets a lesson in life at the quilting bee. A rare appearance by Maya Angelou as the master quilter is a treat; Lady Jean Simmons appears as Em and Lois Smith has a pivotal role as Sophia. 

Bancroft originated the role of Hellen Keller's teacher Annie Sullivan on Broadway in The Miracle Worker and was unforgettable as Mrs. Robinson in The Graduate. She brought class to everything she did, from The Naked Street (1955) to The Turning Point (1977) to the Queen Bee in Antz (1998). She finally worked with her wonderfully incongruous husband Mel Brooks in To Be Or Not to Be (1983), which is not to be missed. 

Burstyn is no slouch either: she was great in Alice Doesn't Live Here Anymore, but never got good roles (The Exorcist? really?). She is down on drugs of any kind in her autobiography, saying they messed up a friend, and made the dismal Requiem for a Dream about a drug addict. She, and most of us, don't seem to understand there's a world of difference between a joint on the porch and holes in your brain.

Ryder, who played Jo in Tokin' Woman Louisa May Alcott's Little Women, always does interesting projects, like A Scanner Darkly and her work with Pacino (Looking for Richard and Simone).

UPDATE 8/16: Ryder is getting rave reviews for her role in Netflix's Stranger Things and is all the rage again with a generation that grew up on Beetlejuice and Heathers. Netflix is also airing American Quilt.