Celebrating famous female cannabis connoisseurs throughout herstory to the present day.
All contents copyrighted. "Bright Leaf" artwork by Jean Hanamoto, camomoto at Spoonflower.com
After writing an obituary for Judy Balaban, who tried LSD back in the day when Cary Grant was doing it, and co-wrote an article interviewing Grant’s wife Betsy Drake and others for Vanity Fair in 2010, I looked up her co-author Cari Beauchamp, a film historian currently at the Mary Pickford Foundation.
Beauchamp’s book: “Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood” details Marion’s illustrious career during the years of the Fatty Arbunkle trial etc. and the coming of the Hays code.
After Marion (who was also a painter and sculptor) painted a portrait of actress Kitty Gordon showing off her much-admired back to promote Peg O’ My Heart, posters for the play were vandalized and leaflets signed by “Conscientious Citizens" went out shouting, “We must protect our innocent little children from seeing such pictures of half-nude women. And we keep them away from the evil influence of the nickelodeons and the lawless people who have forced themselves upon our beautiful city to make what they call movies. Only if we all unite can we drive them out.” Marion and a friend attended a meeting of the group, dubbing them “The Constipated Citizens.” (p. 27).
"Her father was head of Paramount, she was one of Grace Kelly’s bridesmaids, and she shared an LSD experience with Cary Grant," ran the obituary in the Hollywood Reporter for Judy Balaban, who died on October 19 at the age of 91.
Balaban was Hollywood Royalty in more ways than one: a member of the prominent Balaban family, she dated Montgomery Clift for six months in the 1950s when she was 18, and was married to Kelly's agent Jay Kanter—who made his client Marlon Brando best man at their wedding—when she was the youngest of six bridesmaids at Kelly's wedding to Prince Rainier of Monaco. Balaban later married actors Tony Franciosa and Don Quine.
Setting the stage for the article, she and Beauchamp wrote that at the time, "Almost everyone smoked carton-loads of regular cigarettes, but a 'joint' was a body part or a lower-class dive. If people were 'doing lines,' you’d have guessed they were writing screenplay dialogue or song lyrics. And if you mentioned 'acid,' you’d mean citrus juice or a stomach problem. Nobody in Hollywood—or almost anywhere else in the United States—had ever heard of LSD, lysergic acid diethylamide. Timothy Leary wouldn’t even pop his first mushroom until 1960. So it was very out of character that against this background a group of more than 100 Hollywood-establishment types began ingesting little azure pills that resembled cake decorations as an adjunct to psychotherapy."
Balaban relates in the article that she didn’t know much about LSD when she started taking it, but, she laughingly says, “I figured if it was good enough for Cary Grant, it was good enough for me!”
Buffett in a pot-leaf-motif jacket with Jenny Lewis at a 2016 concert in Nashville.
UPDATE: Paul McCartney has posted about playing bass on Buffett's song, "My Gummy Just Kicked In," which was inspired by a phrase uttered by McCartney's wife Nancy. "Then the 60s came alive and she yelled 'Let's Rock!'"
Jimmy Buffett's Parrothead fans are more known for enjoying their margaritas than their marijuana, but Buffett, who died this week at 76, was a Pothead too who named his son for Bob Marley and launched a marijuana brand named "Coral Reefer" after his band in 2018.
In his autobiography A Pirate Looks at 50, Buffett describes himself as a hippie and tells tales of hanging out in various parts of the world (Key West, Cuba, Jamaica, Costa Rica, etc.) with drug smugglers and other interesting characters.
In the beginning of the book where he writes about his traveling toolkit, he discusses backpacks and bags:
There has been a lot written about the good and the bad effects of the revolutionary sixties, but no one ever mentions the destigmatization of men carrying shoulder bags. Along with the emotional baggage of being a flower child, you had to carry around to the love-ins a lot of shit that just wouldn't fit in a wallet or the pockets of bell-bottom jeans. There were necessary items for the hip and infamous—rolling papers, pot, Richard Farina and Richard Brautigan paperbacks, bags of granola, extra headbands, bandanas, hash pipe, patchouli oil, fruit, and that damn Swiss Army knife. My bag of choice was a woven straw Guatemalan original that I bought at the local head shop in New Orleans. It definitely was cool, and served me well right up until the day I had some kind of a short circuit in my thinking patterns and decided that I had to get married and settle down.
In his book, Buffett recounts that when he went to France in 1974 to write a soundtrack for a film about tarpon fishing, it was "with an incredible sense of wonder, two hundred bucks, and a Glad bag full of Colombian pot that I first set foot on French soil."
Speaking of his song "Growing Older But Not Up," Buffett wrote, "I have carried my childish ways with me from altar boy to hippie, from hippie to husband and father. More than the music and the politics of the sixties, I think what made Woodstock the legendary event that it became was the fact that a whole generation was able to act like kids again. That's what I think happens at our [Coral Reefer Band] shows as well. They've always been known as opportunities to escape for the evening and just has fun, but you should see what happens when it rains."
Leeds and Mitchum with their lawyers at their 1949 marijuana trial.
On the evening of August 31, 1948, movie star Robert Mitchum went to visit 20-year-old starlet Lila Leeds at her bungalow at 8334 Ridpath Drive in Los Angeles. "Unbenownst to them, two officers, A.M. Barr and J.B. McKinnon of the Los Angeles Police Department's Narcotics Division, were hiding in the yard. The two had been conducting surveillance for eight months on members of the film industry and their hangers-on," writes George Eels in his biography of Mitchum.
Mitchum frequented after-hours clubs in LA that served grass, according Eels. "His use of grass earned him membership in a group that considered themselves hip and scorned nonusers as square johns and janes....Yet even they were taken aback by Mitchum's increasing boldness. Never before had they seen a prominent star make himself such a high-visibility risk, strutting around as he did in a straw Stetson and cowboy boots, with a reefer tucked behind each ear or carrying a package of cigarettes in which the regular ones were alternated with hand-rolled joints."
"When Mitchum arrived [at Leed's house], he flopped on the sofa and tossed a pack of cigarettes onto the coffee table," Eels continues. "Barr claimed Leeds picked it up and looked inside. 'Oh, you've got brown ones and white ones too,' she said, 'I want some of the white ones.' She took two joints from the pack, lit them and gave one to Mitchum." Barr and McKinnon were let inside by Leeds's roommate and made their high-profile arrests.
Mitchum poses for cameras in jail.
At L.A. County Jail, the laid-back actor, who had just turned 31, greeted newspaper reporters and photographers with, "Yes, boys, I was smoking a marijuana cigarette when they came in," adding, "I knew I'd get caught sooner or later." When the booking officer asked his occupation, Mitchum replied, "Former actor." Sergeant Barr chilled Hollywood with his statement, "We're going to clean the dope and the narcotics users out of Hollywood! And we don't care who we're going to have to arrest." Mitchum, meanwhile, was stripped and shackled, and left stark naked to be questioned by a psychiatrist. The next morning he cancelled a speaking engagement scheduled for the steps of City Hall to celebrate National Youth Day.
Candidates at the first Republican presidential debate (sans Trump) were falling all over each other to say they would fix the fentanyl problem by toughening up border enforcement and even going over to Mexico to take out cartels. DeSantis said he'll shoot and kill anyone bringing fentanyl across the border; also on Day 1 in office he'll use US Special Forces across the Mexican border to go after fentanyl labs. "Would I treat cartels as foreign terrorists organizations? You bet I would." Pence also said he will "hunt down and destroy" drug cartels, and Tim Scott mentioned fentanyl too.
Former DEA chief and Arkansas governor Asa Hutchinson was a surprising voice of reason, talking about how he negotiated with then-Mexican-president Vicente Fox over drugs. He called for education and treatment, as others have. Hutchinson was also the only candidate who didn’t raise their hand when asked if they would support “the elephant not in the room” for the nomination should he be criminally convicted. He pointed out that Trump might not be constitutionally eligible to take office, and Christie, who said he raised his hand reluctantly, then said, “We need to stop normalizing Donald Trump’s conduct. It’s beneath the office of the Presidency.”
In my continuing series, "Streaming Shows I Catch Up With That Turn Out to Feature Weed," I've been watching The Ranch (2016-2020) on Netflix. I got sucked in by the theme song "Mamas, Don't Let Your Babies Grow Up to Be Cowboys," sung by Lucas Nelson in duet with Shooter Jennings, whose dads Willie and Waylon won a Grammy with their hit version of the Ed & Patsy Bruce song in 1978.
Set on a Colorado cattle ranch, the show stars its co-producer Ashton Kutcher, who played the dumb jock Michael Kelso on That '70s Show. Here he plays Colt, a prodigal son who returns to work at his family's ranch after his spotty semi-pro football career ends. Kutcher said that growing up in Iowa, the show he most related to was Roseanne, about "the ideals and beliefs and values" of a small-town family, "and that's what we set out to make a show about."
Also starring as Colt's brother Rooster is Danny Masterson, who played the smart-ass pot dealer Hyde on That '70s Show. Their characters are (somewhat) grown-up versions of their sitcom ones in this show with a lot of heart and humor, featuring guest spots from Fez (Wilmer Valderrama, here playing a Mexican worker who gets deported after the boys get into a bar fight), Kitty (Debra Jo Rupp as Colt's wine guzzling, Xanax-popping mother-in-law), and Red (Kurtwood Smith, playing a neighbor with cancer who talks about how strong his medical pot is). Another recurring character is the family lawyer played by Martin Mull, who expresses a fondness for magic mushrooms.
The Ranch is soaked in alcohol, with the characters guzzling Budweisers and whiskey throughout, and Debra Winger co-starring as the boys' mother Maggie who runs a bar in their small town. Marijuana is first mentioned in the series, which has been praised for its country music soundtrack, when Maggie sings along to Ashley Monroe's "Bring Me Weed Instead of Roses" while waiting for her estranged husband Beau (Sam Elliott) to come visit her (Season 1, Episode 10).
Explaining why she suddenly left Beau, Maggie tells him, "Next thing you know I'm ordering two beef and cheddars and and a Jamocha shake at an Arby's in Utah. I skipped the part where I smoked a joint in the parking lot....I needed to go somewhere and figure out what I wanted to do with my life." She tries to convince him to spend time traveling with her, but Beau, a no-nonsense rancher who loves steak and his Ford, and says things like, "I'll visit Mt. Rushmore when they put Ronald Reagan on it," can't be budged from his ranch.
The Barbie movie starts out cleverly with a 2001: A Space Odyssey spoof, showing the origin of the doll as a baby doll so that girls could play at being mothers. As Helen Mirren points out in the narration, this wasn't always fun. "Just ask your own mother." Coming in like a monolith is Margot Robbie as the original Barbie doll in her iconic black-and-white swimsuit and high heels (to match her high-heeled feet), whereupon the girls see their future as stylish and in-command women.
We then travel to Barbie Land, where all the Barbies live in pink plastic houses, while running the show in all professions, including the President and all the Supreme Court justices, as well as doctor, lawyer, and astronaut. Robbie as "Stereotypical Barbie" travels around in her pink car prettily applauding her sisters' successes. Meanwhile, Ken (Ryan Gosling) and the other Kens exist purposelessly while "beaching" (hanging out on the beach).
A moment of self-realization leads Barbie, Inanna-like, through a portal to the Real World, and when Ken comes along, he quickly discovers that gender roles are reversed there. Meanwhile, Barbie discovers she hasn't been the empowering role model to girls she'd thought she was, and hooks up with working mother Gloria (America Ferrera, much slimmed down and prettied up from her "Ugly Betty" days) and her daughter Sasha (Ariana Greenblatt) to travel back to Barbie Land and set things right. Except that once they return, Ken has turned it into a patriarchal nightmare, with the Barbies relinquishing their power positions to become good little girlfriends mooning over their Kens while they all play guitar and sing Matchbox 20's song, "I wanna push you around." Meanwhile Will Farrell as the Mattel CEO tries to scold Barbie back into her box and Barbie Land by calling her a Jezebel, and she has a Proustian flashback.
It's a lot like life. Girls play with Barbies and imagine they'll grow up to have perfect, empowered lives like their dolls do, with great wardrobes. Then we often realize it's easier to get boys' attention by ditching all that and being attentive to male needs.
In the movie, Ferrara's character recites a monologue about the tightrope modern women must walk, and she and Robbie's character capture and deprogram her fellow Barbies with Gloria's help. Just before a vote on matriarchy vs. patriarchy, they distract the Kens by sparking their jealousy and setting them at war against each other while they win the vote.
It's a lot like our history (or herstory, as I like to say). As Joseph Campbell put it, "There can be no doubt that in the very earliest ages of human history, the magical force and wonder of the female was no less a marvel than the universe itself; and this gave to woman a prodigious power, which it has been one of the chief concerns of the masculine part of the population to break, control, and employ to its own ends." So while women were thought to be the sole creators of life we were indeed everything, until men figured out they had something to do with paternity and took over, waging war over Helen of Troy and such.
The problem I have with Barbie is that its solution is a war among men—something we've had quite enough of already—and switching back to putting only one sex in charge. (I guess that the Lysistrata anti-war technique wouldn't have worked in Barbie Land since they don't have genitals there.) It seems filmmaker Greta Gerwig's research didn't include reading Riane Eisler's The Chalice and the Blade, where she makes a case for a partnership model of power sharing between the sexes going forward. At least Barbie apologizes to Ken for negating him in the end, saying, "Every night didn't have to be girl's night." And at least the "war" is fought with beach toys instead of real weapons.
