Cohen and (apparently) her Secret Service agent enter the 99 High Tide dispensary in Malibu on 7/13. |
Cohen exits the dispensary carrying a small package. |
Celebrating famous female cannabis connoisseurs throughout herstory to the present day. All contents copyrighted. "Bright Leaf" artwork by Jean Hanamoto, camomoto at Spoonflower.com
Cohen and (apparently) her Secret Service agent enter the 99 High Tide dispensary in Malibu on 7/13. |
Cohen exits the dispensary carrying a small package. |
The things you find noodling around the internet. It began by looking up the actress /strongwoman Hope Emerson—best known for lifting Spencer Tracy off the ground in court in the 1949 movie Adam's Rib—after I watched her exclaim what sounded to me like "Smokin' Oakum!" throughout Westward the Women (1952). Oakum are the short fibers of hemp; generally they are not smoked. (It's possible she was saying, "smoke and oakum.")
Emerson, who made her Broadway debut playing an Amazon woman in Lysistrata in 1930, was nominated for an Oscar for her role as a sadistic matron at a women's prison in Caged (1950), for which the author Virginia Kellogg served time in four American prisons under false charges, as research.
Caged and anti-marijuana propaganda films were parodied in the 1977 SCTV skit, "Broads Behind Bars," in which Catherine O'Hara and Eugene Levy of TV's "Schitt's Creek" smoke pot, leading to her imprisonment and defiant downfall "from just one small stick of the stuff." Emerson's role was handled by John Candy in drag in the skit, which a title card mockingly says was "produced in cooperation with the anti-marijuana league of North America."
Dorissa (Susan Oliver) turns on Gene (Sal Mineo) in "The Gene Krupa Story." |
Having just seen the new "Elvis" biopic, I decided it was time to watch "The Gene Krupa Story" (1959) starring Sal Mineo in a fantastic performance playing the drums much as Krupa did.
In the film, Krupa is turned on to marijuana by a fictional vixen named Dorissa Dinell, much as Eve lead Adam astray with the Forbidden Fruit (dubbed "the world's first controlled substance" by Timothy Leary).
After handing him a joint, Dorissa (played by Susan Oliver) watches him take a puff. Immediately, the music turns ominous and discordant. "Don't diddle it," she admonishes him, encouraging him by example to inhale fully. "Put your miseries out to pasture and nobody gets you," she tells him.
Phillips performing at Monterey Pop. |
The D.A. Pennebaker documentary Monterey Pop is currently viewable on HBO Max and other platforms. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
Instrumental in planning Monterey Pop were Cheech and Chong producer Lou Adler and Tokin' Woman Michelle Phillips of the Mamas and the Papas, who has never shied away from controversy and speaking her mind about drug taking.
Asked on Bill Maher's Politically Incorrect in 1996 during a program on which Timothy Leary was scheduled to appear near the end of his life, "What was wrong with the brown acid at Woodstock?" she sweetly replied, "I don't know, but I was at Monterey Pop, and there we had Sunshine Owsley acid, and there was nothing wrong with that at all." (Owsley was the famous LSD chemist nicknamed "Bear" and the reason for bear imagery on Grateful Dead posters.) Phillips mentioned Tokin' Woman Candy Barr as also going to prison for a joint, as did Leary.
Larry Kert, George Coe and Terri Ralston in the original "Company" |
Joyce's sketch of Leopold Bloom, wth the line from Homer, "Tell me, Muse, of that manyminded man, who wandered far and wide." |
José Francisco Batiste Moreno in his astonishing paper Leopold Bloom's Tea-Pot presents evidence for Bloom, and Joyce, being influenced by hashish. In 1902, Joyce hung out with hashish-taking authors William Butler Yeats and his party buddy Arthur Symons in Paris, "a city once again overcome by the deliquescence of hemp; especially the colorful artistic life of Montmartre, that around the turn of the century was experiencing a new cycle of a true psychotropic revolution based on the green hempen pill."
Some say Joyce went to Paris to follow in the footsteps of Verlaine and Baudelaire (who also took hashish), spending time with Symons in "a city once again overcome by the deliquescence of hemp; especially the colorful artistic life of Montmartre, that around the turn of the century was experiencing a new cycle of a true psychotropic revolution based on the green hempen pill." The “Circe” chapter of Ulysses is said to "rework the visionary literature of Gérard de Nerval and Rimbaud," two more French hashish-takers. In Homer, the goddess/enchantress Circe turns men into pigs with a drug. Of nepenthe, the drug used in Homer by Helen to make soldiers banish the grief of battle, Joyce seems to have borrowed from Shelly's interpretation of it as a love potion.