"The Marijuana Conspiracy" and The Research Dodge

The Canadian film "The Marijuana Conspiracy," released in the US on 4/20, illustrates in part the absurdity and politicization of research into marijuana's effects. The film, based on a study that happened in 1972 in Toronto, begins with footage of politicians (all old, white men) railing against marijuana use. We then meet an old, white male addiction researcher downing a martini who hires an unscrupulous hippie-type researcher out for fame and fortune who recruits young women pot smokers for a study aimed at discovering marijuana's harms. 

The women were locked in a building for 98 days, with no escape to take a walk outside or see their friends or families, while being constantly observed by researchers. Even the joints they were given to smoke nightly couldn't counter the effects of this strange, unnatural setting and the film (and doubtlessly the study itself) devolves into melodrama. Like many rats put in a cage, the women were pointlessly overdosed with pot. Yet, they remained productive and experienced no ill effects, although some members of both the smoking group and the nonsmoking control groups had difficulty assimilating after their isolation. The results of the study were never publicized due to political reasons, and it took decades for Canada to finally legalize pot (the US still hasn't done so). 

"Party Girl" Turns 25

Posey puffs and gets inspired at the library in "Party Girl" 

The recent 25th anniversary of the 1995 Indie film "Party Girl" earned a write-up in Vogue magazine for its influence on fashion. Parker Posey stars in the titular role, wearing a funky mix of designer duds and thrift-store trash, and enjoying marijuana. 

The opening scene has Posey as her character Mary smoking a joint and collecting entry fees to an illegal rave she's throwing, leading to her arrest. When her librarian godmother Judy (Sasha von Scherler) bails her out, Mary goes to work at the library to pay back her debt, but without much interest in learning about being a librarian. 

That is, until she smokes pot at the library one night and is inspired to learn the Dewey Decimal System, which she soon uses to organize her DJ roommate's records. Meanwhile, she romances falafel cart owner Mustafa, who shows up at the library for help with getting a teaching certificate, leading to a sexual encounter that costs Mary her job. It becomes apparent that Judy is envious of Mary's lifestyle, partying with friends and finding love. 

Abbie Hoffman: Steal This Urine Test

There's a great scene in the new Aaron Sorkin / Netflix movie "The Trial of the Chicago 7" where Tom Hayden (Eddie Redmayne) of Students for a Democratic Society says to Yippie! Abbie Hoffman (Sacha Baron Cohen), "My problem is that for the next 50 years, when people think of progressive politics, they’re going to think of you and your idiot followers, passing out daisies to soldiers or trying to levitate the Pentagon. So they’re not gonna think of equality or justice; they’re not gonna think of education or poverty or progress. They’re gonna think of a bunch of stoned, lost, disrespectful, foul-mouthed, lawless losers. And so we’ll lose elections." 

I know this to be true because I campaigned for Hayden when he ran for Governor of California in 1994. I would talk to young people, saying, "You know Tom Hayden, the Chicago 7?" Only when I said, "with Abbie Hoffman" did the bells of recognition ring. (Hayden lost that election, and Abbie remains enduringly popular.) 

The credits of the movie mention Hoffman's bestseller "Steal This Book" but not its 1987 sequel, "Steal This Urine Test" in which he blows the lid off the bogus urine testing industry that discriminates against marijuana smokers by detecting inactive metabolites that can stay in the body for weeks after use. 

Hoffman wrote of NIDA (National Institute on Drug Abuse) chief Dr. Robert DuPont's evolution from a somewhat liberal scientist to a zealot-like proponent of urine testing:  

Spartacus's Wife: The Woman Behind the Revolt

Jean Simmons with Kirk Douglas in "Spartacus" (1960).

It was sadly fitting that on the Day our Democracy Died we also lost Kirk Douglas, who helped break the Hollywood blacklist by hiring Dalton Trumbo to write the screenplay for the 1960 film "Spartacus," telling the enduring story of the 73BCE Gladiator/slave revolt against the Roman empire.

I rented the movie, and was struck by the depictions of the communal nature of the former slave army: people pulling together, women making candles and weaving, etc. I was also struck by the lack of power among the women in the film: Spartacus's love Varinia (Jean Simmons) is a slave forced into submissive prostitution who ends up back in Roman clutches in the end. Simmons appears nearly naked in a bathing scene.

The herstorical facts are different: Spartacus, who came from Thrace, was married to a priestess from his tribe who inspired and aided in the revolt. According to history professor Barry Strauss writing in The Wall Street Journal:

Neither her name nor the name of their tribe survives. Only one ancient source mentions her existence, but he is Plutarch, who relied on the (now largely missing) contemporary account by Sallust. In his "Life of Crassus," Plutarch writes: It is said that when he [Spartacus] was first brought to Rome to be sold, a serpent was seen coiled about his face as he slept, and his wife, who was of the same tribe as Spartacus, a prophetess, and subject to visitations of the Dionysiac frenzy, declared it the sign of a great and formidable power which would attend him to a fortunate issue. This woman shared in his escape and was then living with him. (Plutarch, Crassus 9.3) 

Plutarch, and Strauss, pin her as worshipping Dionysus, the god of wine and liberating "frenzies"; but long before his cult appears, the snake was a symbol of the goddess religions. Scholars think the wines of ancient times may have contained entheogenic plants as well as alcohol.