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Celebrating famous female cannabis connoisseurs throughout herstory to the present day. All contents copyrighted. "Bright Leaf" artwork by Jean Hanamoto, camomoto at Spoonflower.com
Thursday, May 29, 2014
Monday, May 12, 2014
Russian Hemp Honored in Statues and Stories (Yet, Still Repressed)
I've been informed that in between sheaves of wheat depicted on the Peoples Friendship Fountain in Moscow are sunflowers and cannabis leaves (shown). (Read more in Russian). The fountain was built between 1951 and '54 and features 16 golden women representing Republics of the Soviet Union, as well as the three plants chosen to represent Russia's agricultural bounty.
Nonetheless, when activists chose the fountain as a meeting place for a pro-pot rally in May 2008, they found the site barricaded and one peaceful protestor was beaten by police.
Russian hemp is historically important, according to Jack Herer's The Emperor Wears No Clothes, in which he theorizes that the War of 1812 was fought because Napoleon was trying to blockade the country's hemp crop before it reached Britian's navy.
Russian writer Leon Tolstoy mentions a "high-growing, fragrant hemp-patch" in Anna Karenina (1873), and Ivan Turgenev (1818-1883) writes of hemp fields, seeds and oils in his stories. Hashish makes a surprising appearance in a dinner party conversation in playwright Anton Chekhov's “A Woman's Kingdom” (1895).
Hemp is still being grown in Russia but a Siberian experiment to grow "drug free" hemp has failed. Meanwhile, Canadian hempseed food producer Naturally Splendid has just signed a distribution agreement with Sonray Sales to distribute their products in the US. Sonray also has customers in India, Indonesia, Malaysia, Russia and Switzerland.
And yes, in case you're wondering, there's a statute for Ukraine at the fountain. I'm guessing the Ukranians aren't exactly feeling the friendship right now. It's a shame we're always waging wars on people, and plants.
Thursday, May 8, 2014
Cole Porter, Bruce Villanch, Elsa Maxwell, Betty Grable and Marijuana
"Come and see my collection of Turkish hookahs."
So states a female character in Cole Porter's play "Du Barry Was a Lady," now on stage in San Francisco in a delightful adaptation starring Bruce Vilanch.
Packed with Porter's witty lyrics and beautiful melodies, the play was first produced on Broadway in 1939 starring Bert Lahr, Ethel Merman, and WWII pin-up girl Betty Grable as the character who uttered the hookah line. Lucille Ball starred with Red Skelton, Gene Kelly and Zero Mostel in the 1943 movie version.
Vilanch—who's written comedy bits for Bette Midler, Whoopi Goldberg, Robin Williams, Billy Crystal, Roseanne Barr and Lily Tomlin, among many others—is something of a modern wit and bon vivant in the tradition of Porter and Coward. "He's given more great lines to celebrities than a Hollywood coke dealer," quipped Nathan Lane in Get Bruce, a 1999 documentary on Vilanch now playing on Netflix.
Graduating from Ohio State with degrees in theatre and journalism during the turbulent 60s, Vilanch was brought out to Hollywood by studio executives looking to shape the new direction of film during the Easy Rider daze. "Everyone was wearing beads and paisley shirts," Vilanch recalls in the documentary, adding, "We were all sitting in a room together smoking dope and talking about the movies and I thought, 'This is a business I really want to be in.'"
Likewise, Porter and his set were no strangers to various delights. Starting in 1923, Cole and his wife Linda rented palazzos in Venice, including the Palazzo Rezzonico once inhabited by Robert and Elizabeth Barrett Browning.
So states a female character in Cole Porter's play "Du Barry Was a Lady," now on stage in San Francisco in a delightful adaptation starring Bruce Vilanch.
Packed with Porter's witty lyrics and beautiful melodies, the play was first produced on Broadway in 1939 starring Bert Lahr, Ethel Merman, and WWII pin-up girl Betty Grable as the character who uttered the hookah line. Lucille Ball starred with Red Skelton, Gene Kelly and Zero Mostel in the 1943 movie version.
Vilanch—who's written comedy bits for Bette Midler, Whoopi Goldberg, Robin Williams, Billy Crystal, Roseanne Barr and Lily Tomlin, among many others—is something of a modern wit and bon vivant in the tradition of Porter and Coward. "He's given more great lines to celebrities than a Hollywood coke dealer," quipped Nathan Lane in Get Bruce, a 1999 documentary on Vilanch now playing on Netflix.
Graduating from Ohio State with degrees in theatre and journalism during the turbulent 60s, Vilanch was brought out to Hollywood by studio executives looking to shape the new direction of film during the Easy Rider daze. "Everyone was wearing beads and paisley shirts," Vilanch recalls in the documentary, adding, "We were all sitting in a room together smoking dope and talking about the movies and I thought, 'This is a business I really want to be in.'"
Cole Porter and Elsa Maxwell |
Joining them there was the famed hostess Elsa Maxwell, who invented the scavenger hunt and other enticements that brought the rich and famous together. With Maxwell spreading the word, prominent figures like Tallulah Bankhead, Noel Coward and Fanny Brice came to Venice's Lido shoreline to enjoy its daytime amenities and nightly parties.
"Hard drinking was commonplace at these festivities, as was the use of drugs of all kinds, including opium, cocaine, and hashish," wrote Porter's biographer Charles Schwartz, who added, "A greater sensualist than most of his friends...Cole never hesitated trying drugs or practically anything else for kicks while socializing." Indeed, Porter's song, "I Get a Kick Out of You" has the lyric "I get no kick from cocaine" (sometimes sung as "champagne").
The party was over in 1927 when police raided the Palazzo and found several local young men, including the son of the police chief, parading about in Linda Porter's dresses. Later, the principality of Monaco employed Maxwell's services to put it on the map as a tourist destination as she had done for the Lido. "Her imprimatur of social acceptability carried so much weight that the Waldorf Astoria gave her a suite rent-free when it opened in New York in 1931 at the height of the depression, hoping to attract rich clients because of her." (Schwartz)
While living in Los Angeles in 1944, Porter dated Bob Bray, a Marine from Montana who was friendly with Porter's longtime amour, choreographer Nelson Barclift. Porter's biographer William McBrien wrote that Bray and Barclift "were always high on marijuana" and that both came often to Porter's Brentwood home for lunch. According to McBrien, Porter's song "You'd Be So Nice To Come Home To" was written for Barclift.
"Hard drinking was commonplace at these festivities, as was the use of drugs of all kinds, including opium, cocaine, and hashish," wrote Porter's biographer Charles Schwartz, who added, "A greater sensualist than most of his friends...Cole never hesitated trying drugs or practically anything else for kicks while socializing." Indeed, Porter's song, "I Get a Kick Out of You" has the lyric "I get no kick from cocaine" (sometimes sung as "champagne").
The Palazzo Rezzonico in Venice |
While living in Los Angeles in 1944, Porter dated Bob Bray, a Marine from Montana who was friendly with Porter's longtime amour, choreographer Nelson Barclift. Porter's biographer William McBrien wrote that Bray and Barclift "were always high on marijuana" and that both came often to Porter's Brentwood home for lunch. According to McBrien, Porter's song "You'd Be So Nice To Come Home To" was written for Barclift.
In 1956, Porter contributed music and lyrics to "High Society," the musical version of "The Philadelphia Story" that opened with VIP Louis Armstrong and starred his pot-smoking buddy Bing Crosby.
Betty Grable in Three for the Show (1955) |
As for Grable, her last musical was Three for the Show (1955) about a woman who must choose between two husbands, played by Jack Lemmon and Gower Champion. It featured a production number starting with Grable dressed in an Arabic costume smoking a hookah and dreaming of having a harem of husbands.
For Nymph Errant, a 1933 musical about a young English lady intent upon losing her virginity that received its US premiere in 1982, Porter penned "Experiment," sung by Man We Love Kevin Kline as Porter in De-Lovely:
Before you leave these portals
To meet less fortunate mortals
There's just one final message
I would give to you
You all have learned reliance
On the sacred teachings of science
So I hope, through life you never will decline
In spite of philistine
Defiance
To do what all good scientists do
Experiment
Make it your motto day and night
Experiment
And it will lead you to the light
The apple on the top of the tree
Is never too high to achieve
So take an example from Eve
Experiment
Be curious
Though interfering friends may frown,
Get furious
At each attempt to hold you down
If this advice you'll only employ
The future can offer you infinite joy
And merriment
Experiment
And you'll see
Labels:
Bruce Vilanch,
cocaine,
Cole Porter,
Elsa Maxwell,
Fanny Brice,
hashish,
hookah,
Lido,
marijuana,
Monaco,
Noel Coward,
Tallulah Bankhead,
Venice
Saturday, May 3, 2014
Seshat – Goddess of Knowledge and Cannabis
UPDATE 10/15: Seshat is included in the new book Tokin' Women: A 4000-Year Herstory.
Seshat (also spelled Safkhet, Sesat, Seshet, Sesheta, and Seshata) was the ancient Egyptian goddess of mathematics, creative thought, knowledge, books and writing (her name means "she who is the scribe"). Sister to Bast and daughter/sister/wife to Thoth or the moon god Djehuti, the Egyptians believed that she invented writing, while Thoth or Djehuti taught writing to mankind.
Often depicted in coronation ceremonies wearing a leopard-skin garment, Seshat's emblem is a seven-pointed hemp leaf in her headdress. Pharaoh Tuthmosis III (1479-1425 BCE) called her Sefket-Abwy (She of Seven Points). See more pictoral evidence.
In this relief (below), she wore her Seven Pointed Leaf to perform the equivalent of laying the cornerstone of the Great Pyramids – "stretching the cord" to mark the direction of true north, calculated by the stars, with a rope made from hemp. It is perhaps hemp's psychoactive effect that is acknowledged in the saying that, "Seshat opens the door of heaven for you."
Seshat's name has been given to the Global History Databank at the Evolution Institute and Sesheta.net is the name of the African Women's Autobiography project.
Seshat (also spelled Safkhet, Sesat, Seshet, Sesheta, and Seshata) was the ancient Egyptian goddess of mathematics, creative thought, knowledge, books and writing (her name means "she who is the scribe"). Sister to Bast and daughter/sister/wife to Thoth or the moon god Djehuti, the Egyptians believed that she invented writing, while Thoth or Djehuti taught writing to mankind.
Often depicted in coronation ceremonies wearing a leopard-skin garment, Seshat's emblem is a seven-pointed hemp leaf in her headdress. Pharaoh Tuthmosis III (1479-1425 BCE) called her Sefket-Abwy (She of Seven Points). See more pictoral evidence.
In this relief (below), she wore her Seven Pointed Leaf to perform the equivalent of laying the cornerstone of the Great Pyramids – "stretching the cord" to mark the direction of true north, calculated by the stars, with a rope made from hemp. It is perhaps hemp's psychoactive effect that is acknowledged in the saying that, "Seshat opens the door of heaven for you."
Ancient Egypt is considered to be an advanced civilization in medicine and many other realms. As far back as 2350 BCE, the stone tablets known as the Pyramid Texts used the hieroglyphic symbol smsm.t—or “shemshemet”—referencing “a plant from which ropes are made,” thought by Archeologist W.R. Dawson to be hemp. The Ebery Papyrus from 1550 BCE, and likely copied from earlier manuscripts, mentions introducing shemshemet ground in honey into the uterus, possibly as an obstetric aid. "It has parallels to therapeutic applications of cannabis as a
vaginal suppository in the 19th century to treat gynecological disorders and migraine," writes Ethan Russo in a 2007 paper.
Seshat was associated with Isis in the Late period, and was scribe to Hatshepsut, the female Pharoh of the 18th dynasty (c. 1479-1458 BCE). The Greeks demoted the Goddess to a muse, and in Phaedrus, Plato gives over to Thoth the invention of arithmetic and letters.
Seshat and the Pharaoh "Stretch the Cord" |
Seshat's name has been given to the Global History Databank at the Evolution Institute and Sesheta.net is the name of the African Women's Autobiography project.
Sunday, April 27, 2014
Dolores Fonzi Speaks Out; Paula Nelson Gets Arrested
Argentinian actress Dolores Fonzi, the wife of prominent Mexican actor Gael GarcĂa Bernal and mother of two young children, has appeared on the cover of the Spanish-language cannabis enthusiast magazine THC (pictured) and told El Mundo that she has smoked marijuana for 20 years.
The thirty-five year old actress said that smoking pot opened her up, and now relaxes her, like a glass of wine. After doing her daily chores with her children: taking them to the garden, feeding them, bathing them, "I have a smoke, and it's how I take a break from everyday obligations. I use it to read, watch a movie or sleep."
Fonzi, who lives in Mexico, said she does not hide her marijuana smoking from her children, and if they ask her about it, she will be honest about her experience with it. "Neither stimulate nor suppress," she said. "They will make their own way."
Bernal played Che Guevera in The Motorcycle Diaries (2004) and has come out in favor of marijuana legalization. UPDATE 1/16: He just won a Golden Globe for portraying NY Symphony conductor Rodrigo, who "publicly endorses hallucinogens" and scores pot in the park in the Amazon Prime Series "Mozart in the Jungle," based on the book "Mozart in the Jungle: Sex, Drugs and Classical Music" by Tokin' Woman Blair Tindall. Two female members of the orchestra bond over a pipe in the series, where the drummer (natch) is the peddler.
Here in the US, Willie Nelson's daughter Paula was arrested for pot possession on 4/20 after her tour bus was pulled over for speeding and she reportedly consented to a search. According to KVUE.TV, The Paula Nelson Band had just spent two weeks performing in Colorado and was headed back home through Texas when the incident happened.
"We were driving back from Colorado, where of course it's now recreationally legal, and because of my lineage I get a lot of gifts while we're there," said Nelson. Those gifts were in the van when she was pulled over for speeding in Menard, which is two hours west of Austin. The officer found less than two ounces of weed and some edible treats containing pot.
When accused of staging the bust as a publicity stunt, Nelson replied that if so she would have had her hair done for her mug shot (which is just what I was thinking). Nelson's CD sales have reportedly doubled since the news broke. Under Texas law, she faces up to 180 days in jail and a two thousand dollar fine.
Expressing surprise at the amount of hate speech aimed at the police that was posted on her Facebook page in response to the news of her bust, Nelson told KVUE, "It wasn't their fault. They were doing their jobs and they were upholding a law that shouldn't be a law."
Labels:
actress,
Argentina,
Colorado,
Dolores Fonzi,
Gael Garcia Bernal,
marijuana,
Mexico,
Paula Nelson,
Texas,
Willie Nelson
Thursday, April 24, 2014
Barbara Ehrenreich: Living with a Wild God and a Rational Mind
UPDATE 9/22: Ehrenreich has died at the age of 81, just after California's Legislature voted to ban workplace discrimination based on urine testing.
Author and NORML board member Barbara Ehrenreich has come out with another brilliant, stunning book, this one titled Living with a Wild God. The famous scientist, atheist and feminist has, at the age of 72, come clean about some mystical experiences she had in her adolescence, following a rigorous study of religion and philosophy.Finding her way to Buddhism and reading the Upanishads, Ehrenreich grasped the concept of "the truly blessed is he who understands the spirit of the words: 'I am not even sure that I know nothing'...there was no 'I' to stalk the 'not I' with, only infinite substance, the Brahman, from whom we were temporarily separated by the thinnest veil of illusion." Soon the veil dropped in a series of spontaneous events first described in a chapter titled, "The Trees Step Out of the Forest."
"The world flamed into life...Something poured into me and I poured out into it,"she wrote. "Something peeled off the visible world, taking with it all meaning, inference, association, labels, and words. I was looking at a tree, and if anyone had asked, that is what I would have said I was doing, but the word 'tree' was gone, along with all the notions of tree-ness that had accumulated in the last dozen years since I had acquired language....
"The interesting thing, some might say alarming, was that when you take away all human attributions—the words, the names of species, the wisps of remembered tree-related poetry, the fables of photosynthesis and capillary action—that when you take all this away, there is still something left."
For her book Nickel and Dimed: On (Not) Getting By in America, Ehrenreich took a series of minimum-wage jobs, and wrote about the experience of facing pre-employment drug testing knowing that she had marijuana in her system. “It rankles—at some deep personal, physical level to know that the many engaging qualities I believe I have to offer—friendliness, reliability, willingness to learn—can all be trumped by my pee.” In 2000, Ehrenreich spoke at a forum on drug testing in San Francisco.
She went deeper into the economic injustice of the situation, writing, “There seems to be a vicious cycle at work here, making ours not just an economy but a culture of extreme inequality. Corporate decision makers, and even some two-bit entrepreneurs like my boss at The Maids, occupy an economic position miles above that of the underpaid people whose labor they depend on. For reasons that have more to do with class — and often racial — prejudice than with actual experience, they tend to fear and distrust the category of people from which they recruit their workers. Hence the perceived need for repressive management and intrusive measures like drug and personality testing. But these things cost money — $20,000 or more a year for a manager, $100 a pop for a drug test, and so on — and the high cost of repression results in ever more pressure to hold wages down.
She went deeper into the economic injustice of the situation, writing, “There seems to be a vicious cycle at work here, making ours not just an economy but a culture of extreme inequality. Corporate decision makers, and even some two-bit entrepreneurs like my boss at The Maids, occupy an economic position miles above that of the underpaid people whose labor they depend on. For reasons that have more to do with class — and often racial — prejudice than with actual experience, they tend to fear and distrust the category of people from which they recruit their workers. Hence the perceived need for repressive management and intrusive measures like drug and personality testing. But these things cost money — $20,000 or more a year for a manager, $100 a pop for a drug test, and so on — and the high cost of repression results in ever more pressure to hold wages down.
"The larger society seems to be caught up in a similar cycle: cutting public services for the poor, which are sometimes referred to collectively as the 'social wage,' while investing ever more heavily in prisons and cops. And in the larger society, too, the cost of repression becomes another factor weighing against the expansion or restoration of needed services. It is a tragic cycle, condemning us to ever deeper inequality, and in the long run, almost no one benefits but the agents of repression themselves.” Boom.
Tuesday, April 22, 2014
Mila Kunis Stumps for Wrong Kentucky Product
I didn't want to believe it, but it's true: Mila Kunis, who once played a girl that scored a bag of pot to impress a boy on "That '70s Show," is now stumping for Jim Beam instead of Mary Jane on TV.
According to AdAge Magazine, "While bourbon used to be consumed about 80% by men, the split is now closer to 70% male and 30% female, with flavored bourbon varieties nearly split down the middle."
This seems to be why the US's #2 bourbon brand has moved from spokespeople like Kid Rock to "the petite and beautiful Ms. Kunis, who is said to appeal both to men and to young women." In 2010, Beam introduced its first TV campaign for Skinnygirl, a lower-calorie, ready-to-serve cocktail line aimed at women, a trend that was lamented for health reasons in 2006 when "Sex in the City" was implicated in the increase in drinking among women.
You never saw the bong you knew was being passed around the basement circle in "That '70s Show," but now you can see Kunis enjoying her liquor on boob tubes everywhere. Liquor ads did not appear on any TV, national or local, for much of the 20th century, with the industry honoring a self-imposed ban from 1948 to 1996, according to AdAge. But a few years ago CBS began accepting liquor ads during late-night programming and ABC started running hard-liquor ads during "Jimmy Kimmel Live." In 2010, NBC began accepting spirits shows airing after 11 p.m. Eastern as long as 90% of the audience is of legal drinking age. (Industry self-regulations allow beer, wine or liquor ads only on programs where at least 71.6% of the audience is 21 or older.)
Meanwhile, state law in Colorado forbids legal marijuana stores from advertising on media where more than 30 percent of the intended audience is younger than 21, even though it's the safer substance; and a Weedmaps ad has been pulled from Times Square. Adding to the irony, Kentucky, where Jim Beam and the Kunis commercials are made, was once better known for hemp (Mary Todd Lincoln's ancestors were prominent hemp farmers there). And one of the new Jim Beam ads features a reference to Prohibition (also the wrong one).
UPDATE: One reader points out this story is even stranger because Kunis is pregnant (and showing quite a bit at this point, in paparazzi pics of she and fiancĂ© Ashton Kutcher visiting the Abita Brewing Company in Louisiana where all "enjoyed sampling the beer—except mom-to-be Kunis, of course." Source.)
Also see: First Kentucky hemp crop in decades set for planting
Labels:
bourbon,
hemp,
Jim Beam,
Kentucky,
Kid Rock,
liquor,
marijuana,
Mila Kunis,
Prohibition
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